Mario Salieri Productions
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Cunnilingus Hardcore Lesbian Group Teen Mature Older-younger Fingering Shaved pussy Trimmed pussy Missionary Cowgirl Reverse Cowgirl Doggystyle Cumshot
Description:
Films were shot simultaneously and distributed from October 2017. The writer Alberto, supported by his wife Elsa, is writing a novel centered on a common woman from Ciociaria, Cesira, during World War II. The story begins in Rome in 1943, where Cesira is having her teenage daughter Rosetta visit a doctor who, traumatized by the recent Allied bombing of the city, has shut down in total silence. The woman decides to take refuge in the native country of Sant”Eufemia together with her daughter to escape the air raids and the atrocities of the war.
La Ciociara 1 – Fuga da Roma (Escape From Rome)
Cast:
Steve Holmes, Rebecca Volpetti, Tiffany Doll, Roberta Gemma, Violette Pure, Bruno SX, Eva Berger, Melody Mae, Rodolphe Antrim, Fabrice Triple X, Miklos B. Szekely, Patrick Boyle, Costy Saddy, Filippo Locantore, Marcello Borsa
Mario Salieri Productions
Tags:
Cunnilingus Hardcore Lesbian Group Teen Mature Older-younger Fingering Shaved pussy Trimmed pussy Missionary Cowgirl Reverse Cowgirl Doggystyle Cumshot
Description:
Films were shot simultaneously and distributed from October 2017. The writer Alberto, supported by his wife Elsa, is writing a novel centered on a common woman from Ciociaria, Cesira, during World War II. The story begins in Rome in 1943, where Cesira is having her teenage daughter Rosetta visit a doctor who, traumatized by the recent Allied bombing of the city, has shut down in total silence. The woman decides to take refuge in the native country of Sant”Eufemia together with her daughter to escape the air raids and the atrocities of the war.
La Ciociara 1 – Fuga da Roma (Escape From Rome)
Cast:
Steve Holmes, Rebecca Volpetti, Tiffany Doll, Roberta Gemma, Violette Pure, Bruno SX, Eva Berger, Melody Mae, Rodolphe Antrim, Fabrice Triple X, Miklos B. Szekely, Patrick Boyle, Costy Saddy, Filippo Locantore, Marcello Borsa
La Ciociara Part 3: Return to Sant’Eufemia
Cast:
Rebecca Volpetti, Roberta Gemma, Mario Salieri, Bruno SX, Nico Blade, Pablo Ferrari, Filippo Locantore, Istvan Milosevic, Costy Saddy, Daniel Brown
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Step Mom Wants Me To Cum Inside Her
Mean Stepmom Mad at Stepson Who Came Inside Her
Krystal Davis Has Huge Tits and Gets Creampie from Her Step Son
Vacation With Horny Euro Step Mom
Category: Asian, Big Tits, Brunettes, Cougars, Creampie, Cumshots, Erotic Vignette, Ethnic, European, Family Roleplay, Gonzo, International, Interracial, MILF, POV
Starring: Krystal Davis, Valentina Bellucci, Mad Vince, MILF GiGi
Language: English
Size: 1.76 GB
Length: 01:20:31
Format: MP4
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Add to favoritesStarring: Rebecca Volpetti, Roberta Gemma, Mario Salieri, Bruno SX, Costy Saddy, Pablo Ferrari, Filippo Locantore, Nico Blade, Istvan Milosevic, Daniel Brown
Categories: 18+ Teens, Blowjobs, Couples, Cumshots, European, Face Fucking, Feature, Historical / Period Piece, International, Italy, Mature, Military, Naturally Busty
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Starring: Steve Holmes, Rebecca Volpetti, Roberta Gemma, Istvan Milosevic, Dario Zavoli, Filippo Locantore, Costy Saddy, Patrick Boyle
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Add to favoritesStarring: Steve Holmes, Rebecca Volpetti, Tiffany Doll, Bruno Sx, Violette Pure, Roberta Gemma, Eva Berger, Fabrice Triple X, Rodolphe Antrim, Melody Mae
Categories: 18+ Teens, Blowjobs, Cumshots, Facials, Feature, Lingerie, Naturally Busty, Threesomes
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Add to favoritesSexy Co-eds Can’t Get Off Without Hot Loads Of Cum Deep Inside Their Pussies!
Charlotte Sins is a sinner but she was forgiven the moment she let her step daddy cum inside! Natalie Knight just turned 18, so her step dad was happy to help het celebrate by cumming inside her sweet little pussy! Spence Bradley is a sweet brunette with a bubble butt and a tight pink pussy that will make you blow your load! When Kay Carter and Ashley Red tag team a lucky stud, a creampie is bound to cover both or their sweet snatches!
Starring: Natalie Knight, Spencer Bradley, Charlotte Sins, Ashley Red, Kay Carter
Director: Stoney Curtis Jerry Kovak
Categories: 18+ Teens, Big Butt, Big Cocks, Blondes, Brunettes, College / Dorm Life, Compilation, Creampie, Family Roleplay, Gonzo, Naturally Busty, Old & Young Females (18+), Prebooks, Threesomes
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Add to favoritesRoberta Gemma, Anina Silk, Vickie Brown
FACCETTA NERA – 2019 – Faccetta Nera is the title of a song written by Renato Micheli and composed by Mario Ruccione in April 1935. This song was certainly inspired by the fascist propaganda that prepared the Italians to face the Ethiopian war. The movie has no political label or orientation and uses the title of the song only to highlight the historical period in which the story unfolds. The story takes place in Naples in 1935 and tells of the generational contrast between a powerful gerarca (Massimiliano Storace) and a young militant of the fascist party (Josc Admiral) who live in the same building. Taking advantage of the departure of the gerarca for Abyssinia, the young fascist tries in every way to attract the attentions of his wife (Roberta Gemma) unknowingly involving also the elderly mother-in-law. When everything seems over, a twist will reverse the events of the story.
The Historical Context:
It’s September 11, 1935, we are less than a month from the start of the Ethiopian campaign. In the intentions of the fascist regime, this colonial expedition must be the maximum expression of the strength and efficiency of the Kingdom of Italy. Failure is not contemplated, far from it: this war will have to mark the definitive consecration of the regime in the much sought after ‘place in the sun’ on the international scene, strengthening its image and prestige through a military campaign conducted with enormous deployment of means for a inexorable victory.
In this context, the propaganda system also assumes fundamental importance, through a series of measures aimed at enhancing the imminent expedition, or, to put it better, at the need for a salvific Italian intervention towards the Abyssinian population, oppressed by a state of slavery. . Here then is the flourishing of various ‘canzonette’ in which the graceful and catchy melody is combined with programmatic texts of strong impact: we remember in particular a 78 rpm which includes the two ‘preparatory hymns’ for the war of Ethiopia, or ‘Faccetta nera’ and ‘I salute you, I am going to Abyssinia’. As mentioned, these are “choral” songs in which the candidates for the expedition declare their virile enthusiasm in front of a real “call of destiny”.
According to the propaganda plan of the Italian Army, in 1935 alarming news spread about the slavery conditions with which the Empire of Ethiopia kept the Abyssinian population subject. A firm, decisive and definitive intervention by the Italian forces is urgently needed to put an end to this slavery, so as to celebrate the colonialist vocation of an Italy ready to expand the borders of its Kingdom significantly. These are the ‘historical’ premises that saw the birth of a song like ‘Faccetta nera’, in which the Roman poet Renato Micheli addressed his words directly to a hypothetical young slave (the ‘beautiful Abyssinian’, in fact) urging her to wait for the triumphant coming and civilizer of the ‘black shirts’.
This is the historical context in which Mario Salieri sets the story of his new film. We have a powerful and affirmed hierarch (Massimiliano Storace) who is preparing for the Abyssinian expedition: we see him haughty, motivated and dismissive of the danger as a regime wants, to face the legitimate insecurities and fears of his beautiful wife (Roberta Gemma), worried about the mission to which her husband is called.
But you know, in fascist families there is no time for tears: during the absence of her husband, the role of the woman will be the eminently domestic role of ‘angel of the hearth’. Roberta will have to look after the elderly mother of the man, who is bedridden and in need of care.
As per script in the Salierian stories, the disturbing element manifests itself in the landing of the house, and has the features of a young fascist militant (Josc Admiral), handsome and domineering, who lacks respect for the hierarch with his daring behavior. The boy is punctually ‘cazziato’ for not having greeted the superior ‘Roman’, however thanks to his comment in voice over we learn that he does not care about the violent reproach: yes, because as soon as the hierarch leaves for Ethiopia he will take care of the wife of this domineering ‘big shot’, trying to earn her sexual favors.
As the young man in the black shirt explains, it has been some time since he has set his eyes on the woman, provoking her also through the ‘attentions’ directed in plain sight to the aunt of one of his comrades (Vickie Brown). In short, it is a matter of time, and the beautiful Roberta will give up. Will it really go like this? To find out, just enjoy the film,
This new Salieri is added, as we have seen, to the historical setting works so dear to the director, a story re-enacted with the scruple of the enthusiast attentive to the ‘customary’ aspects of the eras from time to time treated. Music, for example: it had been like this in the ‘Neapolitan carousel’, here we are once again catapulted in the middle of the twenty years thanks to the recovery of the song that gives the title to the film and the revival of the popular success ‘Ma le gamba’, dated 1938 and used by Mario as a sound commentary to the moments of… ‘solitary intimacy’ of the young fascist when he consults some audacious period magazines.
These important details help the spectator to enter the context of an event that also foresees the celebration of the Juno Roberta Gemma, as always unmissable in the hard scene dedicated to her. In the writer’s opinion, Roberta is the perfect embodiment of the ‘mogliamante’, to bother the title of a film with Laura Antonelli: a prosperous woman whose physicality, properly exhibited and enhanced by Mario’s filming, embodies a generous and homemade sexuality ‘without losing a sex appeal always and in any case highly sensual. Looking at Roberta Gemma in all her production with Salieri, the words Marcello Mastroianni addressed to ‘Anitona’ Ekberg in Fellini’s’ Dolce Vita ‘come to mind:’ You are the first woman on the first day of Creation. You are the mother, the sister, the lover, the friend, the angel, the devil, the earth, the house … Ah, that’s what you are: the house! ‘
This means that the roles created by the Neapolitan director for Roberta give her an ‘all-knowing’ femininity, both in the part played and in the more specifically sexual part.
In historical films, Mario’s shooting style for hard scenes tends to enrich the frame with furnishing details that make the surrounding environment ‘live’: to frame the sexual performance we have for example the lingering the eye of the director on old bedside tables, chairs or paintings, which, while remaining ‘at the edges’ of the screen, act as ‘subliminal’ elements that need only be absent-minded to receive that additional temporal information.
Having said that, remember that Salieri has always accustomed his audience to a multiple reading of his films, and ‘Faccetta nera’ is no exception: the title is a propaganda hymn that introduces us to the ‘historical plot’ of the story, but with the progress of the events is clear that the motif is also a mockery tool of the young fascist towards the hierarch: as soon as the latter leaves singing to conquer Abyssinia, the boy will proceed to conquer his wife … all thanks to the same song, which sends one to war, the other to have sex. Magic of Maestro Salieri. As always.
Remember that the film has no political label or orientation and uses the title of the song only to highlight the historical period in which the story unfolds.
Sex acts & positions: kissing, handjob, blowjob, kneeling doggy, cowgirl, reverse cowgirl, standing doggy, spoon, cum on ass, cum on legs, pussy fingering, 69, handjob to completion, cum on tits, missionary
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Add to favoritesUnia Films
Director: Pierre Unia as Reine Pirau
Also Known As (AKA):
(original title) Les Voyeuses
France (reissue title) Belles et bien éduquées mais le feu au cul
France (alternative title) Belles à confesse
Italy Incesto sacrale
Turkey (Turkish title) (alternative title) Kutsal Ensest
World-wide (English title) (alternative title) Sacred Incest
Jacky Arnal Jacky Arnal … Jacques (as Jacky Saint-Denis)
Cathy Ménard Cathy Ménard … Hélène / priest’s sister
Élisabeth Buré Élisabeth Buré … Olga / la nonne-nun-leave non-nun
André Kay André Kay … André
Ghislain Garet Ghislain Garet … Le prêtre / The priest
Kitty Hilaire Kitty Hilaire … Ginette / black maid
Christine Borgomano Christine Borgomano … Marie-Jo
Hélène, the chemist of the village, and the priest’s sister. Olga, a nun who lives with the priest. The priest is a funny fellow who seems to enjoy talking about sin and about wine being Christ’s blood. At the hotel, the wine merchant gets acquainted with Ginette, a black maid, and asks her about the nice lady he’s met. His description fitting the maid perfectly, she offers her slender body for his wristwatch. It’s a deal. André’s wife, who is a friend of hers, invites Ginette to her place and in the meantime, takes care of herself.
Sex acts include: blowjobs, pussy licking, lesbian sex, strapon fucking, double penetration, threesomes, female masturbation, vaginal and anal sex in various positions (doggystyle, cowgirl, reverse cowgirl, missionary and sideways).
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Add to favorites(AKA)
(original title) Ma mère me prostitue
Italy Le ragazze di Pigalle
Peru La chica del Pigalle
West Germany Die Mädchen vom Place Pigalle
West Germany (video title) Die Mädchen von Pigalle
World-wide (English title) Pigalle Girl
Nicole Segaud has a daughter who is a keen dancer, but it seems the mother has no money, or maybe she’s a hooker herself as she goes with a man in a limo out into the country where she is raped by a couple of bikers who force the man to watch.
We see the daughter spot an advert saying ‘dancing girls wanted’. The mother takes her to the place which is a peepshow joint run be a very fat man. He explains the work required and gets the daughter to strip, which she doesn’t seem to mind at all.
We then see the daughter performing various sexual activites for clients: naked acrobatics and masturbation on a revolving stage; peeing in her panties for a male client dressed as a doctor; performing in a live sex show on the revolving stage with Gil Lagardère; taking part in a foursome with a man, her mother and Brigitte Verbecq; dressing as a schoolgirl to be caned by a man dressed as a teacher who is in turn caned and fucked by a dominatrix (Isabelle Brell) while the daughter watches and wanks off a young man dressed as a servant; attending on a couple with a black servant and taking part in their orgy; being hired by Olivier Mathot to be gang banged by three tramps while he watches; performing in a porn movie with two males (one is André Kay) and two brunettes (one is Patricia Santos) while her mother watches; performing in another live sex show with Gil but this time in front of several rows of men watched also by the peepshow owner in a top hat.
She falls in love with Gil but the mother disapproves. The daughter takes Gil back to the apartment and they tie her mother to her bed so that they can spend the night together.
We also see the daughter walking in on Gabriel Pontello having sex with Christine Black.
Lise Pinson … Gigi (as Nini Sulfide)
Hélène Shirley … Valérie, the mother (as Nicole Segaud)
Mascha Mouton … Marie (as Mascha)
Gil Lagardère … Patrick
Richard Allan … A tramp
Dominique Aveline … A biker
Dany Berger … Greg (as Christian Mazagran)
Isabelle Brel … The dominatrix (as Isabelle Bresles)
Jacques Dalès … Mr. Casoar – the manager of the peep-show
Michel de Nyokinos … The English education enthusiast
Ghislain Garet … Man couple friends of Gigi
Jack Gatteau … A tramp
Dominique Irissou … A reel of Pigalle
André Kay … The actor
Jacques Marbeuf … Marcadet, the director of porn
Olivier Mathot … The customer with a cigarette holder
Victor Samama … The Russian
Patricia Samba … The actress
Christine Schwarz … Woman couple Gigi friends
Claude Valmont … The peep-show client
Brigitte Verbecq … The Russian (as Melody Bird)
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Released in 2018 another work of art by the great Mario Salieri, we love his films simply because they are unique, he is the best director of world porn without any doubt, he is preoccupied with making a special and morbid porn, not the typical movies that only fuck and fuck, always with argument and perversion.
Studio: SalieriXXX
Director: Mario Salieri
Cast: Regina Sanseverino, Bianca Maria Stella, Valentina Nappi
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