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Fantasex (1976) 1080p

(AKA)
(original title) Fantasex
USA (bowdlerized title) Fantasee
USA (bowdlerized title) Fantasensualis

From the Pressbook.

An erotic Walter Mitty— an excursion into the libido where hidden sexual tensions and passions control our lives and destinies.
FANTASEX”‘is a unique film experience—something imagined, but never before visualized “FANTASEX” lets you the audience escape reality and venture into a world of erotic fantasy of sexual thrills through our hero, Bernard, a shy, misunderstood young man with a rapacious appetite for sex.
He and plain Jane (secretly in love with Bernard) are employed by a dirty book publisher, who when not ripping off our hero is knocking off Miss LaVerne, his viscous, beautiful bitch secretary who in turn is dumping her load of work on Bernard
Retreating into his fantasy world he gets even. As a sword yielding gypsy, he cuts the bosses penis off and as a tough cruel swarthy dock worker he makes LaVerne swallow his hardened muscle.
It’s Friday night penny ante poker with his pals—a group of self inflated characters who keep putting him down. Tripping off from the game aboard a Mississippi riverboat he’s a cool dude with his gal Dolly’s giant pair of aces hanging all over him. In a set right out of a luxurious brothel of red velvet walls and brass bed he serves Dolly some good old fashioned Southern Comfort. After filling her cup to the brim, he is rudely awakened from his reverie and clumsily bids his buddies good night to tuck in his invalid mother.
She is the essence of harridan and Bernard turns into a 1930’s gangster and pushes the old bag in her wheel chair down a flight of stairs. She calls him back to earth and pushes him out the door to his job. The old bitch is perfectly healthy and cha chas to the phone to make a date with her friend.
With lunch box in hand he bicycles his way to the office and almost runs down a voluptuous teenage blonde crossing the street Her pretty smile is enough to set him off as Buzz, a cycle jock in helmet and leather duds. He quickly lays down rubber as he hustles her off to his pad with touches of Nazi and S & M decor. Gyrating his piston and greasing up her motor he runs out of gas and returns to us and his office.
At the office, Jane timid and dreamy-eyed, silently voyages into a shadowy Victorian world, a virgin in full bloom playing the piano for her handsome lover, Bernard. Taking her in all conceivable impossible positions he captures her maiden head while she never misses a beat on the keyboard.
Overworked, under paid, harassed and berated, the office transforms into a 3-ring circus of erotic flesh with Bernard as the ring master and Jane as the voluptuous vampirish queen. Together with the help of some delectable freaks they culminate this dream into a first on film act—the quadruple FANTASEX come shot.
Whipped into reality, Jane and Bernard leave for the day. In the elevator timidly stealing glances at each other, wedding bells chime and our young lovers are celebrating their matrimonial night. The orchestra plays, their hearts pound, passions aroused, they kiss and make heavenly love. But alas, this too is a fantasy. The elevator returns to street level and Jane and Bernard part—too painfully shy to confess their true feelings. Silence, is after all, not golden.

Cast

Terri Hall … Jane
Jeffrey Hurst … Bernard Lipshitz
Jennifer Jordan … Laverne
Juliet Graham … Dolly the Saloon Girl
Melody Gerdon … Girl Crossing Street
Roger Caine … Mr. Crotchmire (as Michael Jeffries)
Lyndee Mitchell … Momma Lipshitz
Cecil Howard … Howie (as Ward Summers)
Bud Green … Card Player Wearing Hat (as Benton Gardner)
Roland Reals … Stuttering Card Player
Chuck Vincent … Card Player (as Marc Ubell)

Scene Breakdowns
Scene 1. Terri Hall, Jeffrey Hurst
Scene 2. Jennifer Jordan, Roger Caine
Scene 3. Juliet Graham, Jeffrey Hurst
Scene 4. Juliet Graham, Jeffrey Hurst
Scene 5. Melody Gerdon, Jeffrey Hurst
Scene 6. Jennifer Jordan, Jeffrey Hurst
Scene 7. Terri Hall, Jeffrey Hurst
Scene 8. Jennifer Jordan, Terri Hall, Jeffrey Hurst, Roger Caine
Scene 9. Terri Hall, Jeffrey Hurst

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