Suki’s life has become mundane. She can’t quite remember when her happiness faded and every day became a slog, but nothing excites her anymore. Her family upsets her more than anything. They used to be the light of her life, and now they’re more like strangers occupying her melancholy world. Her daughter, Alexia, is someone she doesn’t recognize anymore. Alexia is brash and mysterious, and it only seems the rift between them is widening. Her husband, Leo, is aloof and out of touch with reality…
Suddenly and without explanation, Suki’s life seems to change. While meeting with Wendy, an auditor with a short fuse and little patience for late payments, Suki seems to be elsewhere. It’s like time has stood still, and her son, James, and her husband, Leo, speak to her, but it isn’t the James or Leo she knows from her timeline – these people are from another dimension and explain she is the last puzzle piece to a possible apocalypse. Suki must go on a reality-bending fuck-filled adventure to shift the course of her life and reunite her failing family. It won’t be easy with Danny, Wendy, and Alexia in her path, but as Suki rediscovers herself, her powers grow stronger.
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Add to favoritesCodi (Codi Vore) and Jenna (Little Puck) are the finalists on an intense and difficult game show, ‘The Prize’. The show’s host (Seth Gamble) tells Codi and Jenna that before they begin the final challenge, he has a surprise for them… a visit from their families!
Jenna is excited and emotional to see her dad, Tommy (Tommy Pistol), while Codi is similarly moved to see her husband Daniel (Daniel Shar) and son Ethan (Robby Apples). The host then announces another surprise: Codi and Jenna will each be partnered with one of their family members for the show’s final challenge. That means Jenna will be paired with Tommy since he’s the only family member who came here, while Codi gets to choose either Daniel or Ethan. Codi chooses Ethan…
However, the surprises don’t stop there, because the host says that for the challenge, Jenna and Codi will compete NAKED. Jenna wants to prove she’s better than Codi, so she strips down to her bra and panties and boasts that this isn’t so bad, but even Jenna becomes shocked when the host reminds her to take her underwear off too.
Tommy manages to convince Jenna that she has nothing to be ashamed of, so she takes off her bra and panties. Knowing that winning the competition would turn her family’s life around, Codi strips naked as well, much to her husband’s shock. The host then announces the show’s final challenge: Codi and Jenna will compete to see who’s better at making her partner ejaculate. Jenna is stunned at the idea of making her dad cum, while Codi is equally shocked at the idea of doing that with her son. But this is a rare opportunity to change their lives for the better, so the contestants agree to it, while Codi’s husband watches in horror…
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Scroll through my videos and you’ll be surprised at my mostly dominant attitude coupled with sweet smiles.
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Add to favoritesEveryone said those girls were witches. You even partook in spreading those rumours. You figured that was just something people say about girls who wear black nail polish and spikey necklaces. You never believed it. That is, until Halloween night. You shouldn’t have followed them. They didn’t know they were playing with something so dangerous. You need to be careful when you dabble with Demon Magic. Once you open yourself up to the darkness, it’s like having a black hole inside of you. It sucks in all the light. For nothing can resist all consuming the pull of the dark. And now you were under their demonic spell, and they were pulling you in. And there was no way out. Give in to the darkness. Xoxo Meana Wolf and Sindal Xie Clip Contains: Now is the time, now is the hour. Two girls will summon Demonic power. You’ll lose your soul with every thrust. And perish in their Demonic lust. **Demoness. Succubus. Sex Magic. Threesome. Creampie. Creampie. Facial.
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Add to favoritesStudio: SalieriXXX
Director: Mario Salieri
Cast: Julia Taylor as Julya Taylor, Dora Venter as Melinda Gale, Rita Faltoyano as Rita Faltojano, Veronica Sinclair as Silvia Cristian, Katsuni as Katsumi, Bambola, Ana Nova as Tara Young, Jessica Gayle, Coreena as Corina Cley, Nikki Black as Barbie, Gabi Black as Gaby Wilord, Remigio Zampa, Philippe Dean, Sebastian Barrio, Ramon Nomar as Ramon, Steve Holmes, Horst Baron as Horst Bosch, Francesco Malcom, Silvio Evangelista, Rodolphe Antrim as Rodolph Dessen, Ian Scott, Philippe Durock as Philippe Duroc, Lorenzo Micoli, Manolo as Manuel Ferrara, Alban Ceray, Titus Steel as Titus, Guido Marini, Alina Torre, Benedetta Ausilio, Marina Marchese, Martina de Franceschi, Marzia Esposito
With FAUST Mario Salieri not only plunders Goethe’s classic tale of soul bargaining, he also shamelessly incorporates September 11, World War II and characters from the Bible into his lurid tale of century-spanning fornication. It all starts off with a man named Judas Iscariot who inks a fatal deal with the Devil. The plot then moves through five different epochs [from 33 AD to the year 2019] When the good ole U.S.A. nukes the entire Arab Territory from the face of the earth. How topical can you get.
In this high budget production, in exchange for etarnal life, a man sells his soul to the devil. We follow his afflictions through several different historical eras.The original screenplay is written by psyciologist Daniele Bortoletti inspired by the masterpiece by Goethe. The production is brought to life by an army of talented pornstars and by verbal support of theater actors. In order to create the luxury settings of various historical eras the producer spared no expense, even using an identical train to the legendary Orient Express throughout the shoot. In order to enjoy the movie it is best to forget about the fast foreward function.
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Add to favoritesDAUGHTER CONVINCED BY THERAPIST THAT SHE WANTS TO FUCK DAD
The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home — and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife’s death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He’s not her real father, he can’t tell her what to do anymore, she’s 18, an adult, she’s going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is rough to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that’s an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car.
Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. ‘Sorry we are late,’ he says as she lets them in.
The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother’s untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it’s tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother’s death. Bruce is dumbstruck. He tries to comfort her, she didn’t cause her mom’s illness. But Laurie, crying, tells him that she doesn’t hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember… all so she could have Bruce to herself.
The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. ‘I understand the root of this now,’ she says. ‘Have either of you heard of the Electra complex?’ The shocked family says nothing. ‘It’s a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl’s psychosexual competition with her mother for possession of her father.’ Bruce stands up and tries to shut down the conversation, saying it’s inappropriate. The therapist advises him to sit and continues. ‘The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.’ Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. ‘What is making you laugh?’ She asks. Laurie tells her she is laughing because it’s uncomfortable. ‘And what exactly is uncomfortable?’ Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her dad makes her uncomfortable.
The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her dad, the therapist advises Laurie that she must roleplay as the woman herself. ‘Put yourself in the role of your mother. Bruce will be himself. And I will play you.’
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