Directed by: John Leslie
Stars: April West, Debi Diamond, Lynn Franciss, Pamela Rose, Selena Steele, Tori Welles, Victoria Paris
Language: English
Country: Usa | Ar: 4:3 | Dvdrip
Description: Diana sees a shrink to talk about her problem: Marc, her husband, allows her to do everything with anyone – and she does. She has made a habit out of seducing men, and he hates it – on the other hand, it turns him on.
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Add to favoritesMario Salieri Productions
Tags:
Cunnilingus Hardcore Lesbian Group Teen Mature Older-younger Fingering Shaved pussy Trimmed pussy Missionary Cowgirl Reverse Cowgirl Doggystyle Cumshot
Description:
Films were shot simultaneously and distributed from October 2017. The writer Alberto, supported by his wife Elsa, is writing a novel centered on a common woman from Ciociaria, Cesira, during World War II. The story begins in Rome in 1943, where Cesira is having her teenage daughter Rosetta visit a doctor who, traumatized by the recent Allied bombing of the city, has shut down in total silence. The woman decides to take refuge in the native country of Sant”Eufemia together with her daughter to escape the air raids and the atrocities of the war.
La Ciociara 1 – Fuga da Roma (Escape From Rome)
Cast:
Steve Holmes, Rebecca Volpetti, Tiffany Doll, Roberta Gemma, Violette Pure, Bruno SX, Eva Berger, Melody Mae, Rodolphe Antrim, Fabrice Triple X, Miklos B. Szekely, Patrick Boyle, Costy Saddy, Filippo Locantore, Marcello Borsa
Mario Salieri Productions
Tags:
Cunnilingus Hardcore Lesbian Group Teen Mature Older-younger Fingering Shaved pussy Trimmed pussy Missionary Cowgirl Reverse Cowgirl Doggystyle Cumshot
Description:
Films were shot simultaneously and distributed from October 2017. The writer Alberto, supported by his wife Elsa, is writing a novel centered on a common woman from Ciociaria, Cesira, during World War II. The story begins in Rome in 1943, where Cesira is having her teenage daughter Rosetta visit a doctor who, traumatized by the recent Allied bombing of the city, has shut down in total silence. The woman decides to take refuge in the native country of Sant”Eufemia together with her daughter to escape the air raids and the atrocities of the war.
La Ciociara 1 – Fuga da Roma (Escape From Rome)
Cast:
Steve Holmes, Rebecca Volpetti, Tiffany Doll, Roberta Gemma, Violette Pure, Bruno SX, Eva Berger, Melody Mae, Rodolphe Antrim, Fabrice Triple X, Miklos B. Szekely, Patrick Boyle, Costy Saddy, Filippo Locantore, Marcello Borsa
La Ciociara Part 3: Return to Sant’Eufemia
Cast:
Rebecca Volpetti, Roberta Gemma, Mario Salieri, Bruno SX, Nico Blade, Pablo Ferrari, Filippo Locantore, Istvan Milosevic, Costy Saddy, Daniel Brown
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Add to favoritesStarring: Rebecca Volpetti, Roberta Gemma, Mario Salieri, Bruno SX, Costy Saddy, Pablo Ferrari, Filippo Locantore, Nico Blade, Istvan Milosevic, Daniel Brown
Categories: 18+ Teens, Blowjobs, Couples, Cumshots, European, Face Fucking, Feature, Historical / Period Piece, International, Italy, Mature, Military, Naturally Busty
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Starring: Steve Holmes, Rebecca Volpetti, Roberta Gemma, Istvan Milosevic, Dario Zavoli, Filippo Locantore, Costy Saddy, Patrick Boyle
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Add to favoritesStarring: Steve Holmes, Rebecca Volpetti, Tiffany Doll, Bruno Sx, Violette Pure, Roberta Gemma, Eva Berger, Fabrice Triple X, Rodolphe Antrim, Melody Mae
Categories: 18+ Teens, Blowjobs, Cumshots, Facials, Feature, Lingerie, Naturally Busty, Threesomes
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Add to favoritesTaboo (1980)
A woman whose husband leaves her is sexually frustrated by the absence of a lover in her life. Avoiding the lecherous advances of the men she meets, she finds an interest in her son that exceeds the limits of their relationship. And to her shock, she finds herself excited by the prospect. Meanwhile, she does find a suitable man for herself, but things start heating up between mother and son…
Acts: Doggy, Orgy, Missionary, Blowjob, Threesome, Mother & Son, Fantasy
Scene 1. Kay Parker, Turk Lyon
Scene 2. Dorothy Lemay, Tawny Pearl, Mike Ranger
Scene 3. Juliet Anderson, Miko Yani, Don Fernando
Scene 4. Dorothy Lemay, Mike Ranger
Scene 5. Brooke West, Holly McCall, Lisa K. Loring, Sarah Harris, Starr Wood, T.J. Carson, Valerie Paulson, Gary Eberhart, Ken Scudder, Jeff Scott, Jeremiah Jones, Jesse Adams, Lee LeMay
Scene 6. Kay Parker, faceless guy
Scene 7. Kay Parker, Mike Ranger
Scene 8. Kay Parker, Mike Ranger
Scene 9. Miko Yani, Don Fernando
Scene 10. Juliet Anderson
Scene 11. Juliet Anderson, Miko Yani, Don Fernando
Scene 12. Kay Parker, Michael Morrison
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Taboo II (1982)
Barbara, still luscious, is now living with the voluptuous Gina. She lusts for absent son Paul until a chance meeting with his friend, Junior McBride. Then throbbing with desire, she succumbs to the boy who reminds her of her own son. Barbara and Gina’s massage session turns into frantic bi-sexual/lesbian sex and is later interrupted then wildly escalating to a threesome with visiting Junior, who had been given Barbara’s address during a shopping trip earlier that day, that he learns that Barbara had been earlier having sex with her own son, Paul, his friend. From there, Junior seduces his mother, Joyce and his luscious sister, Sherry. After this chain of sexual dominoes, crowned by an orgy including a wet and dripping daisy-chain of unbridled lust, Sherry seduces her own father, Greg.
Acts: Threesome, Blogjob, Mother Aunt & Son, Doggy, Orgy, Mother Son, Incest, Missionary, Doggy, Cum in Mouth
Scene 1. Juliet Anderson, Kay Parker, Kevin James
Scene 2. Tammy, Kevin James
Scene 3. Honey Wilder, Eric Edwards
Scene 4. Tammy, Dorothy Lemay, Kevin James
Scene 5. Dorothy Lemay, Kevin James
Scene 6. Juliet Anderson, Rod Diamond
Scene 7. Dorothy Lemay, Kevin James
Scene 8. Honey Wilder, Kevin James
Scene 9. Tammy, Cara Lott, Crystal Dawn, Brooke Bennett, Juliet Anderson, Linda Shaw, Terry Galko, Craig Roberts, David Cannon, Kevin James, Jeff Conrad, Rod Diamond, Ron Jeremy
Scene 10. Dorothy Lemay, Kay Parker
Scene 11. Dorothy Lemay, Ron Jeremy
Scene 12. Dorothy Lemay, Eric Edwards
Scene 13. Honey Wilder, Eric Edwards
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A general note on loops, they are generally uncatagorized, some of essentially the same material was used by other “studios” or clipped into movies. Also, credits were vastly inconsistant. Add to that a language barrier with the Euro loops
A young looking Sweedish girl, who was 20 and 21 when she filmed her loops, I believe all in Denmark. Known for playing school girls. To be really clear, she was over 18 in all her loops. She looked younger than she was and dressed that way
Tove Jensen (born April 23, 1958 in Sweden ), popularly called Tiny Tove is a Swedish porn actor who was active between 1979 and 1981. After the loss of her father, she was apparently introduced to the porn business by her mother.
After a few short years in the industry, Tove suddenly quit when realising that this was not going to be a “lifelong career”.
Quitting Denmark (where most of the shoots were made), her friends took her to sea, at her request, and she has never been seen in the adult industry since. She also vowed to pursue her privacy which continues to be respected to this day.
Master Film 1802 – Film Oorgy.avi
Danish Hardcore Film No.545 – Educating Tina.mov
Diplomat Film No.1027 – Teach My Sister.avi
Teenage Sex Film No.716 – Young Thai Tourist.avi
Tiny Tove loop – Math Assistance.avi
Master Film 1794 – Little Sexy Eva.mp4
Teenage Sex Film No.712 – Young Flesh.avi
Danish Hardcore Film No.602 – Young Flesh.avi
ColorClimax Film 1381 – Service.avi
Color Climax – Teenage Bestsellers 252.avi
Color Climax – Teenage Bestsellers 260.avi
Color Climax – Teenage Bestsellers 255.avi
Color Climax Film No.1348 – Teenage Tricks.avi
Color Climax Programme 305.avi
Add to favoritesRoberta Gemma, Anina Silk, Vickie Brown
FACCETTA NERA – 2019 – Faccetta Nera is the title of a song written by Renato Micheli and composed by Mario Ruccione in April 1935. This song was certainly inspired by the fascist propaganda that prepared the Italians to face the Ethiopian war. The movie has no political label or orientation and uses the title of the song only to highlight the historical period in which the story unfolds. The story takes place in Naples in 1935 and tells of the generational contrast between a powerful gerarca (Massimiliano Storace) and a young militant of the fascist party (Josc Admiral) who live in the same building. Taking advantage of the departure of the gerarca for Abyssinia, the young fascist tries in every way to attract the attentions of his wife (Roberta Gemma) unknowingly involving also the elderly mother-in-law. When everything seems over, a twist will reverse the events of the story.
The Historical Context:
It’s September 11, 1935, we are less than a month from the start of the Ethiopian campaign. In the intentions of the fascist regime, this colonial expedition must be the maximum expression of the strength and efficiency of the Kingdom of Italy. Failure is not contemplated, far from it: this war will have to mark the definitive consecration of the regime in the much sought after ‘place in the sun’ on the international scene, strengthening its image and prestige through a military campaign conducted with enormous deployment of means for a inexorable victory.
In this context, the propaganda system also assumes fundamental importance, through a series of measures aimed at enhancing the imminent expedition, or, to put it better, at the need for a salvific Italian intervention towards the Abyssinian population, oppressed by a state of slavery. . Here then is the flourishing of various ‘canzonette’ in which the graceful and catchy melody is combined with programmatic texts of strong impact: we remember in particular a 78 rpm which includes the two ‘preparatory hymns’ for the war of Ethiopia, or ‘Faccetta nera’ and ‘I salute you, I am going to Abyssinia’. As mentioned, these are “choral” songs in which the candidates for the expedition declare their virile enthusiasm in front of a real “call of destiny”.
According to the propaganda plan of the Italian Army, in 1935 alarming news spread about the slavery conditions with which the Empire of Ethiopia kept the Abyssinian population subject. A firm, decisive and definitive intervention by the Italian forces is urgently needed to put an end to this slavery, so as to celebrate the colonialist vocation of an Italy ready to expand the borders of its Kingdom significantly. These are the ‘historical’ premises that saw the birth of a song like ‘Faccetta nera’, in which the Roman poet Renato Micheli addressed his words directly to a hypothetical young slave (the ‘beautiful Abyssinian’, in fact) urging her to wait for the triumphant coming and civilizer of the ‘black shirts’.
This is the historical context in which Mario Salieri sets the story of his new film. We have a powerful and affirmed hierarch (Massimiliano Storace) who is preparing for the Abyssinian expedition: we see him haughty, motivated and dismissive of the danger as a regime wants, to face the legitimate insecurities and fears of his beautiful wife (Roberta Gemma), worried about the mission to which her husband is called.
But you know, in fascist families there is no time for tears: during the absence of her husband, the role of the woman will be the eminently domestic role of ‘angel of the hearth’. Roberta will have to look after the elderly mother of the man, who is bedridden and in need of care.
As per script in the Salierian stories, the disturbing element manifests itself in the landing of the house, and has the features of a young fascist militant (Josc Admiral), handsome and domineering, who lacks respect for the hierarch with his daring behavior. The boy is punctually ‘cazziato’ for not having greeted the superior ‘Roman’, however thanks to his comment in voice over we learn that he does not care about the violent reproach: yes, because as soon as the hierarch leaves for Ethiopia he will take care of the wife of this domineering ‘big shot’, trying to earn her sexual favors.
As the young man in the black shirt explains, it has been some time since he has set his eyes on the woman, provoking her also through the ‘attentions’ directed in plain sight to the aunt of one of his comrades (Vickie Brown). In short, it is a matter of time, and the beautiful Roberta will give up. Will it really go like this? To find out, just enjoy the film,
This new Salieri is added, as we have seen, to the historical setting works so dear to the director, a story re-enacted with the scruple of the enthusiast attentive to the ‘customary’ aspects of the eras from time to time treated. Music, for example: it had been like this in the ‘Neapolitan carousel’, here we are once again catapulted in the middle of the twenty years thanks to the recovery of the song that gives the title to the film and the revival of the popular success ‘Ma le gamba’, dated 1938 and used by Mario as a sound commentary to the moments of… ‘solitary intimacy’ of the young fascist when he consults some audacious period magazines.
These important details help the spectator to enter the context of an event that also foresees the celebration of the Juno Roberta Gemma, as always unmissable in the hard scene dedicated to her. In the writer’s opinion, Roberta is the perfect embodiment of the ‘mogliamante’, to bother the title of a film with Laura Antonelli: a prosperous woman whose physicality, properly exhibited and enhanced by Mario’s filming, embodies a generous and homemade sexuality ‘without losing a sex appeal always and in any case highly sensual. Looking at Roberta Gemma in all her production with Salieri, the words Marcello Mastroianni addressed to ‘Anitona’ Ekberg in Fellini’s’ Dolce Vita ‘come to mind:’ You are the first woman on the first day of Creation. You are the mother, the sister, the lover, the friend, the angel, the devil, the earth, the house … Ah, that’s what you are: the house! ‘
This means that the roles created by the Neapolitan director for Roberta give her an ‘all-knowing’ femininity, both in the part played and in the more specifically sexual part.
In historical films, Mario’s shooting style for hard scenes tends to enrich the frame with furnishing details that make the surrounding environment ‘live’: to frame the sexual performance we have for example the lingering the eye of the director on old bedside tables, chairs or paintings, which, while remaining ‘at the edges’ of the screen, act as ‘subliminal’ elements that need only be absent-minded to receive that additional temporal information.
Having said that, remember that Salieri has always accustomed his audience to a multiple reading of his films, and ‘Faccetta nera’ is no exception: the title is a propaganda hymn that introduces us to the ‘historical plot’ of the story, but with the progress of the events is clear that the motif is also a mockery tool of the young fascist towards the hierarch: as soon as the latter leaves singing to conquer Abyssinia, the boy will proceed to conquer his wife … all thanks to the same song, which sends one to war, the other to have sex. Magic of Maestro Salieri. As always.
Remember that the film has no political label or orientation and uses the title of the song only to highlight the historical period in which the story unfolds.
Sex acts & positions: kissing, handjob, blowjob, kneeling doggy, cowgirl, reverse cowgirl, standing doggy, spoon, cum on ass, cum on legs, pussy fingering, 69, handjob to completion, cum on tits, missionary
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Add to favoritesDirector: Mario Salieri
Cast: Patrick Boyle, Roberta Gemma, Rodolph Antrim, Steve Holmes, Tiffany Doll, Sze’kely Miklos, Eva Berger, Fabrice Triplex, Rebecca Volpetti, Violette Pure, Filippo Locantore, Costy Saddy, Marcello Borsa, Melody Mae
Description:
A novel telling the world a small part of those atrocities carried out during the Second World War by Moroccan soldiers, framed in French troops, raping and killing women and teens in the liberated Ciociaria lands.
La vicenda del remake hard del capolavoro di Vittorio De Sica interpretato da Sophia Loren e ispirato al romanzo di Alberto Moravia e stata sollevata anche da Emiliano Ciotti, presidente dell’associazione “Vittime delle Marocchinate”. Il film e stato posto al vaglio della Direzione generale cinema del Mibact che e competente per il rilascio del nulla osta per la proiezione in pubblico di film. Precisando pero che la Direzione generale “potrebbe avere competenze sul film in parola soltanto se esso verra distribuito in sala. Viceversa, qualora il film non dovesse essere distribuito nelle sale cinematografiche, la casa di produzione, in base alla legge, non sarebbe tenuta a presentarne copia alla Direzione generale cinema per il rilascio del nulla osta di proiezione in pubblico”. Dunque nessuna distribuzione in sala cinematografica e nessun nulla osta. Dopo mesi di polemiche oggi uscira il film “La ciociara”, a luci rosse. Sembra un binomio paradossale ma e la realta. La pellicola sara distribuita solo sul web e solo sul sito ufficiale del produttore Mario Salieri. Il film sara suddiviso in una trilogia e domani sara visibile il primo capitolo dal titolo “Fuga da Roma”. La protagonista femminile sara la pornostar Roberta Gemma. Roberta Gemma, nativa e residente nella zona dei Castelli Romani, e la splendida protagonista de La ciociara: il remake, versione hard, del film che diede notorieta internazionale a Sofia Loren. Inutile dire che la pellicola ha suscitato numerose polemiche ancora prima di essere visionata, soltanto per il soggetto a cui si sono ispirati i produttori.
Antonio Gentile
Part 2
Director: Mario Salieri
Cast: Roberta Gemma, Steve Holmes, Istvan Milosevic, Rebecca Volpetti, Filippo Locantore, Costy Saddy
Description:
A novel telling the world a small part of those atrocities carried out during the Second World War by Moroccan soldiers, framed in French troops, raping and killing women and teens in the liberated Ciociaria lands.
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