Category: Classic All Sex
Runtime: 00;58;32
Country: USA
Languages: English
Starring: Laura Bourbon, Desiree West, John Leslie, Joey Silvera
Laura and her girlfriend Gilda are at Laura’s playing Monopoly when Laura’s dad comes home from work. Gilda finds herself attracted to him, and since the feeling is mutual, they get together. Later, when a repairman arrives at the house to do some work, Laura and Gilda come up with a job for him he wasn’t counting on.
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Las aventuras eróticas de Lolita – Venezuela
The perverted little tale begins with a school bus stopping to the side of the road. Lolita, played by Tammy, walks out of the bus as the really catchy theme song plays, “Lalalalalalolita nice to everybody she meets, She was young and didn’t know yet not to love everybody she met, She thought if she refused them that meant that she would lose them… “And yes they plastered a line at the bottom of the screen right away to alert you to the fact that “All performers are over the age of 18” (well my mind can think anything it wants – nanny nanny boo boo!). Lolita is walking in the woods to go home when her friend, Tigr- played by Chelsea Manchester, walks with her and they hold hands (it is so cute!). You see Tigr go to her home and she finds her mom and dad doing the missionary shuffle as she watches from behind a plant with amazement. The mom jerks off the dad onto her chest but dad just cannot get enough so he does more missionary swinging and then to anal her doggy style. He cums again, this time on her back. Tigr starts rubbing her special private area over her jeans.
Tigr walks away and off to the barn area she goes. She is a brunette in a cute little cowgirl getup by the way. She has small little budding breasts. She sticks some carrots in her back pocket and has a horse pick them out of the pockets with his mouth. When I first saw this 8 years ago I was a newbie at porn and thought I was just about to see my first beasty movie but to no avail cause it don’t happen! She talks to the horse as if he/she is a shrink. Tigr tells her horse that she gets strange sensations after she watches her mom and dad fuck but they avoid the subject when she asks them about it. She wants to play more with the horse but he goes off to a stable and she goes to the entrance on the side of the stable. The innocent little Tigr now keeps talking to herself about those tingling feelings she gets down below, pulls down her jeans, rubs her young and yummy virgin cooochie, and squeezes her budding and blossoming boobies. Randy, the stable boy, sees her doing this. He tells her that he wants her to feel his cock. She starts to do it and says, “What do you want me to do with it?” and he gives her some friendly advice and says, “Girls like you suck on it”. Tigr asks him, “you’re not going to hurt me…I don’t want to do it!’, but she does as the horny old horse watches on from the side. Randy eats her petite little pussy and they kiss then to some missionary moshing. A supposed anal is next, as said by his dialogue, but it is not clearly shown. When he cums she jumps at his cock like a pro and licks and sucks it all over.
We now see a pretty brunette, the maid Louise parsons, who has natural tits, beautiful face and natural hairy pussy. She is sitting in an enclosed outside rest area when Ron Jeremy comes running in and apologizing to her. They supposedly are a couple. She is angry that Ron was playing around with Lolita (not seen just talked about). She says, “13 years old, is that what you go for now” as he retorts, “We were just playing house you know father/daughter stuff…I was just being playful so I could pinch her tush”. He convinces her that he is not lying, but she threatens to cut off his balls if he did fuck around and she shows him her 15″ knife!
Then cut to some back and forth looping between scenes with just Lolita in her bedroom and Ron/the, maid fucking outside. The theme song starts playing again as Lolita is talking to herself about her growing body, “I was just fine a couple days ago as she plays with her firm little tata’s with big nipples, “Maybe they got a disease” (cause they have grown). She now plays with her tits more as she wonders why mommy gets mad when guys try to touch her there- “but it feels so good”. Now to the other scene as the maid says to Ron, “Why don’t you eat me like you’d eat Lolita if you’d have the chance” and he dives down with excitement. The maid then sucks Ron’s big ass schlong. Now back to Lolita taking off her pants cause she gets funny feelings between her legs. She says (ala Cherry Popper style), “There’s got to be some other reason for this than just going to the bathroom”. Cut to Ron pumping the maid missionary as she hangs off the table. Lolita now says with complete innocence, “At school the guys are always wanting to look at my pussy, but what’s a pussy?, I don’t even know what it is” as he rubs her un-popped sweet spot. She talks more to herself now, “And the other day somebody said they want to see my pussy. I said I don’t have a pussy. I have a dog and they laughed…I wonder why?”. Back to Ron pounding maid doggy style then a fast cut to Lolita rubbing herself all over. The maid sucks Ron again then to reverse cowgirl and he has her natural hairy pussy take his load. Lolita the wonders in her room, “I wonder what that bump in Charlie’s (Ron’s) pants was?”
Lolita’s mom and dad (Copper Penny and Henry Margolis) are standing by the staircase in their house and talking about what to get Lolita for her 13th birthday. Dad says he will buy her a new doll and Mom yells at him that Lolita is becoming a woman and needs some advice about the birds and the bees (that is a nice present!). Lolita then slides down the railing with her school girl pussy rubbing against it and says, “weeeeee!’. Mom tells Lolita not to do that but Lolita responds, “why, it feels so good!’. The father tells Lolita to come by his office later for a talk (which you never see) and they hug but she brushes off her mother.
You then see a cute little sight like the opening credits showed. Lolita and Tigr are holding hands walking in the woods. Lolita tells how she saw her ma and pa in bed doing something, her mother was going “up and down” and making noises, and that she got a weird tingling feeling all over. Tigr say, ‘I think they call that sex…It’s called fucking” as Lolita says with utter curiosity, “What’s fucking? You mean where she pees?” They now sit down on some grassy area and Lolita spews forth, “How come you are such an expert?” Tigr answers, “Cause I’m in the 7th grade and everything, I’m older than you are”! (In the cut version that I also saw they actually left that line in but cut out the 13 age references? a mistake for sure!). Tigr tells her about her experience with the stable boy and also says how girls can fuck each other. They now explore some underage lesbian love. Tigr and Lolita kiss each other gently as their little girl necked bodies are shown in all their adolescent glory (Man, I am going to have to wash my dirty mouth out with soap after this review!). Tigr sucks on Lol’s tities and then eats her like no girl/guy has done before. Lolita moans somewhat loudly and then they kiss again.
Daddy now comes home from work as mom and Lolita wait for him. Lolita French kisses her dad with no resistance on his part right in front of mom! Mom yells at him and he says, “Oh your mother is just tired”. Mom says to dad, “Tired! Do you realize what your daughter just did!?” He asks Lolita to go finish some homework upstairs. The mother is panicking, cussing, and drinking some wine. The dad is trying to say there was no sexual connotation involved when he French kissed his daughter! (The cut version skips this part). They kiss and make out after he calms her down. They do the nasty right there in the living room because dad says they should not hide behind closed doors from Lolita! (Eeeeewwwww! what kind of parent would want their child to see them bumping uglies!). Mom is in lock stockings and has small tits, which he sucks. She strokes him followed by him giving her some pussy love with his mouth. They get some missionary going turned into a cowgirl. He while cums on her ass as she jerks him some more.
Lolita is now home alone. The doorbell rings and she opens it. It’s your friendly neighborhood salesman who says, “Hello little girl, is your mommy home? As she says, “No, she went to the big city and she’s going shopping and won’t be home for at least 3 hours”. Lolita asks him what he has in his bag, which is dildos, and that she wants to see. He tells her that they are thermometers though and he wants to show her how they work. The nice guy then puts one in her virgin mouth as he pulls it in and out. He then says her temperature is normal but to make sure he should “take it down below”. He offers her a “delicious red lollipop” and she says o.k. Lolita’s pants are then pulled down to reveal her naturally little hairy morsel and he fingers her to make it wet then sticks the “thermometer” in as she holds her tiny morsel open. She says she likes this game and starts moaning very loud. He looks at the “thermometer” and now says he thinks she has a temperature but to make sure he must use a different kind of thermometer (his fuckstick). She now is saying, “I don’t know” so he offers her all of his candy and she agrees. Lolita says, “What’s that?” as he pulls his molesting menace out of his pants. He says, “It’s a thermometer” but she argues that it is not, “But it doesn’t have any numbers on it” but he says, “I can tell if you have a fever”. He offers her another lollipop. Lolita gets down on the ground, sucks his dirty old man cock, and licks it good. Because he gets all hot and bothered fast, he rips off his business suit. There is one more test to see if she has a fever and he says, “I have to put it down below also…come sit on my lap” and they do some ride’em cowgirl in reverse mode. She loves it then he does the little girl doggy style and cums onto her lips as she sucks/licks it off. It is over and he has some parting words for her, “Well little girl tell your mommy I’ll try to make it back tomorrow to see her”. Nice little Lolita then tells him, “Well you can come back to play with me anytime!”
Next little dittie has an ACME insurance sales man, Ralph Harper, walking into Lolita’s home and he calls out for somebody but no one answers at first. Lolita then comes through a sliding glass door looking like a hooker with her mother’s dress on. He tells Lolita he has an appointment with her husband”! (She made herself up to look older now that her cherry has been popped). She sets him straight and he says, “Oh yeah your father mentioned he had a 13 year old daughter, is that you?” She gets him a drink and he knows he could get in some trouble soon. Lolita sits down beside him on the couch and starts rubbing his crotch area. He is a married man and tells her that and she does not give a shit and says, “That’s o.k. I never had a married man before”! Then he takes a much-needed sip of his drink. It then cuts to Tigr in her house putting on her mom’s mascara and smoking a cigarette as she crouches a bit. Tigr’s mother comes in and yells at her for putting on her dress. Back to Lolita and sales man as she sits on his lap and kisses him. She then stands up and pulls up her dress slowly to unveil her lovely young ass and says, “You know my mommy always told me if something aches you are supposed to kiss it and make it all better”! He sighs and starts kissing her round soft ass. You now see Tigr come onto her mother and tell her she is so innocent. Back to Lolita she says to happy as hell sales guy, “You did do good with the backside, let’s see what you do with the front side” and she rides his face (oh I can just smell the popped cherry!) Lolita is very considerate and asks him if he “would like to go all the way”. He worries about his wife finding out. She now is completely nude and sucks his exhibit A. He fingers her wet clit and mouths her 13-year-old growing breasts. They kiss and then he pumps his cock until it is very hard and they get in reverse cowgirl frame of mind. The molesting sales dude cums on her tummy.
As sales man is gone and Lolita sits on the couch like a grown woman, her mom and dad walk in. Lolita is also drinking some wine. She defends herself and says, “I just wanted to see what is was like to be a woman and I DID!” Mom and dad cover their eyes in disbelief.
As Tigr, her mom and dad are having breakfast. The father, who was also the ACME insurance guy, asks the mom what is wrong with her. It is implied and never shown that Tigr and her mother did bump uglies after that bedroom scene earlier. They gaze at each other and try to hide it from poor old dad.
Lolita is now in her bedroom when a friend of her father has come marching in (they must have not had any locks on the front door, it is a free for all to fuck little Lolita by any guy who happens to drop by!). He asks her age and she tells him 13. He wants to talk to her dad but he is not home now. Lolita stops him as he tries to leave. See takes out his dick and starts licking and sucking on it. He babbles about having to pick up his kids and meet his wife. Daddy’s friend lands his load on her mouth and then tries to leave again but no luck (Or good luck I’d say!). Lol says she knows he wants to fuck her now and tells him it will cost $100 (that girl learns mighty fast!). He cannot hold back from this barely teenage cock teaser and eats her out first as she moans excessively and loud. She squeezes her ripe tities while this beautiful act is being performed. He sucks on her little big nipple boobies now back and forth to each one real fast. Some missionary to continue his illegal act then after she proposes, “Would you like to look at my ass as you fuck me?” he does so and flips to doggy style. He surprises her and sticks it in her ass (not clearly shown though- could be stunt ass being fucked). She moans that it hurts her tight as hell virgin little poop shoot. He shoots onto her ass. She says, “Did you like playing with me…? That’ll be a hundred bucks”. The end is now as you see the school bus driving away.
Well what I can say about this movie that the words have not described already! This film was the first in a series of five movies that the director, Leon Gucci, made that had this ham it up style dealing with little girls and incest. Now off to the bathroom I go to…wash my mouth out with soap and that is it!
By Matt (With major editing by me to fix most of grammar and spelling errors)
Directed by
Leonard Kirtman – (as Leon Gucci)
Writing credits
Leonard Kirtman – (written by) (as Leon Gucci)
Actresses
Tigr – Tigr – Lolita’s Friend (as Chelsea Manchester) [Anal Facial]
Copper Penny – Lolita’s Mother
Angel Burgeon – Maid (as Louise Parsons)
Tammy – Lolita [Anal Facial]
K.C. Valentine – Tigr’s Mother (as Terri Stevens) [Anal]
Actors
Steve Douglas – Steve (as Doug Hamilton)
John Boland – Lolita’s Father (as Henry Margolis)
Ralph Harper – Tigr’s Father
Mike Filene – Salesman (as Ron Hamilton)
Ron Jeremy – Gardener
Steve Parks – Stable Boy
Scene Breakdowns
Scene 1. K.C. Valentine, Ralph Harper
Scene 2. Tigr
Scene 3. Tigr, Steve Parks
Scene 4. Tammy
Scene 5. Angel Burgeon, Ron Jeremy
Scene 6. Tigr, Tammy
Scene 7. Copper Penny, John Boland
Scene 8. Tammy, Mike Feline
Scene 9. Tammy, Ralph Harper
Scene 10. Tammy, Steve Douglas
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Here are probably the 2 best known roles of Miss Carol Connors, her Candy series.
Erotic Adventures of Candy (AKA The Erotic Adventures of Candy, Gail Palmer’s The Erotic Adventures of Candy, Making Candy)
1978
USA
English
Length: 1:24
Genre: Classic, Masturbation, Mutual Masturbation, Oral, Facial, Lesbian, Group, Orgy, Gay, Titfuck, Mind Control, Incest, Handjob
Director: Gail Palmer
Cast: Amanda Blake, Cris Cassidy, Carol Connors, Eileen Wells, Georgina Spelvin, Stacy Evans, Bob Bryan, Don Fernando, Rick Lutze, Eddy Cannon, John Holmes, John Leslie, John Timothy, Jon Martin, Joey Silvera, Paul Thomas, Turk Lyon
This is yet another retelling of a classic story. Just like “Pretty Peaches”, it features a yound woman and her sexual adventures. This version is a bit different. Instead of being a complete ditz like Peaches, Candy is presented as a naive young woman who loves sex.
Candy lives with her puritanical father who keeps her well away from any male company. She rather fancies male company, in particular the handsome Mexican gardener whom she fantasizes about while masturbating. When puritanical father goes out one day, she takes the opportunity to turn fantasy into reality and lures Manuel into her bedroom. Sadly for Candy though, actual sex with a hairy, sweaty Mexican gardener who speaks no English and is trying to get it done quickly before dad comes home, does not live up to her romantic fantasies. Even less so when dad does come home and attacks Manuel with a chair. Manuel, executes a nifty sidesteps and dad trips and ends up on hospital with a fractured skull and amnesia.
Later in the hospital, Candy is joined at her father’s bedside by her father’s identical twin brother Uncle Dick and his wife, her horny Aunt Kraven. During an attempt to have sex with her father’s twin brother in the bed next to her unconcious father, they are interupted by a nurse and in the ensuing confusion, Uncle Dick ends up in the hospital bed and amnesiac father wanders off and disappears.
Candy, devastated by the loss of her father (not dead… just lost… they looked everywhere and couldn’t find him) then travels the country to find herself. After further erotic adventures with a masturbation doctor, a groping gynecologist, the enormously schlonged John Holmes and a few others, she ends up in a sex ashram run by Graham Hollander who wants to “raise her to the next level of consciousness” which naturally involves having sex with her.
And the movie ends with the same kind of “shock” ending, with her father rediscovering his daughter in flagrante delicto on his cock.
And while it lacks the enema scene of Peaches, it has it’s own unusual sex sceen rarely seen in mainstream porn movies. A brief sceen of men giving oral sex to other men.
It is interesting to note that before this movie, Carol Connors was mostly known as the second nurse in the classic “Deep Throat”. She is also the mother of American Beauty star Thora Birch.
Scene 1. Carol Connors, Don Fernando
Scene 2. Carol Connors, Don Fernando
Scene 3. Eileen Wells
Scene 4. Carol Connors, Eddy Cannon
Scene 5. Carol Connors, John Holmes
Scene 6. Carol Connors, John Leslie
Scene 7. Georgina Spelvin, Turk Lyon
Scene 8. Amanda Blake, Stacy Evans, Joey Silvera
Scene 9. Cris Cassidy, Rick Lutze, Jon Martin
Scene 10. Bob Bryan, John Timothy
Scene 11. Carol Connors, Paul Thomas
Scene 12. Carol Connors, Eddy Cannon
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Candy Goes To Hollywood (AKA: Gail Palmer’s Candy Goes to Hollywood)
1979
USA
English
Length: 1:28
Genre: Classic, Oral, Facial, Lesbian, Titfuck, Vouyer, Masturbation
Director: Gail Palmer
Cast: Delania Raffino, Carol Connors, Desiree Cousteau, Phaery I. Burd, Karen Black, Lou Lou Langdon, Nancy Hoffman, Patty Cakes, Rhonda Jo Petty, Sharon Kane, Wendy O. Williams, Dan Davis, David Pinney, Gary Grime, Richard Pacheco, John Leslie, John Wade, Rocky Briggs, Turk Lyon
Candy comes to Hollywood and is immediately pounced on by a talent agent. She quickly becomes the toast of Tinseltown. Sex-filled and action-packed!
Candy Christian steps off the bus from Michigan and is dazzled by the glamor of Hollywood. Johnny Dooropener sees Candy standing at the corner of Hollywood and Vine, with an awestruck look on her face, and introduces himself as a talent agent. Convincing Candy that he can make her a big star, Johnny takes to his office, located in a sleazy stripjoint.
Johnny immediately calls his friend Chuck Bareass and books Candy on The Dong Show. He then convinces Candy that he can make her a great singer using hypnosis. Once Candy is under, Johnny tells her she’s licking a vanilla ice cream cone when she’s actually licking something else.
That night, Candy appears on The Dong Show and is chosen as the winner by Rex P., Jamie Close and J. P. Organ. Backstage, Chuck Bareass personally delivers Candy’s prize, even letting her spend the night at his place.
The next day, Johnny takes Candy’s prize money and sends her to see Johnny Farson of The Last Night Show.
Hitchhiking to Burbank, Candy is picked up by Samantha, who offers to help Candy but only ends up getting her drunk and helping her out of her clothes.
In Burbank, Candy ‘rehearses’ with Johnny Farson but is bumped from the show due to lack of time. Farson makes it up to Candy by letting her spend the night at his penthouse. Next, Johnny sends Candy to do ‘audition’ for movie producer Samuel Goldicker. Goldicker videotapes Candy’s screen test as they act out a ‘love’ scene from his movie.
Johnny picks Candy up and, after getting his commission from Goldicker, he sends Candy to get her hair done for the pick Hollywood party he’s taking her to. Meanwhile, he ‘auditions’ another young woman in his office, waking her with a clap of his hands and sending her on her way when Candy arrives.
That night, Candy discovers that ‘party’ is actually a wild orgy involving all the big Hollywood names, like Sarah Dawcett. When Candy goes to powder her nose, she encounters three other ‘actresses’ who were promised the same part by Goldicker. While the three women ‘have a talk’ with their agent, Johnny Dooropener, candy quietly slips away, deciding to try her luck in Washington.
This is a sequel to the movie “Erotic Adventures of Candy”, and once again is full of interesting little tidbits. Her most well known mainstream “exposure” came as the girl who frequently introduced Chuck Barris on “The Gong Show”. And one of the actresses who appears in this movie is no other then Desiree Cousteau, who played a similar character in the previously uploaded “Pretty Peaches”.
And the girl who is so tallented with the ping-pong balls is none other then Wendy O. Williams, the lead singer of the punk group Plasmatics.
And on an unrelated note, The Gong Show also had one of the dirtiest acts ever seen on commercial TV.
Scene 1. Carol Connors, John Leslie
Scene 2. Wendy O. Williams
Scene 3. Carol Connors, Richard Pacheco
Scene 4. Delania Raffino, Carol Connors
Scene 5. Carol Connors, Gary Grime
Scene 6. Carol Connors, Turk Lyon
Scene 7. Sharon Kane, John Leslie
Scene 8. Desiree Cousteau, Sharon Kane, Turk Lyon
Scene 9. Phaery I. Burd, Patty Cakes, Rocky Briggs
Scene 10. Rhonda Jo Petty, Gary Grime
Scene 11. Karen Black, Dan Davis, John Wade
Scene 12. Nancy Hoffman, David Pinney
Scene 13. Lou Lou Langdon, Richard Pacheco
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Troubled young man Guy reaches out to his oldest friend Jonathon after the mysterious death of his younger sister Carrie, a visit to support a grieving friend soon takes a sinister twist as some very dark secrets come into light.
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Directed by: Hidekazu Takahara
Stars: Sora Aoi, Satoshi Kobayashi, Takashi Naha
Language: Japanese | Subtitles: English (hard)
Country: Japan | Ar: 16:9 | Dvdrip
Also known as: Seifuku bisyojo sensei atashi wo daite
Description: Tsumugi, a girl with a crush on her teacher, discovers that the teacher is having an affair with another teacher. Complications ensue after Tsumugi manages to attract her teacher, but then begins falling for a fellow student.
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Add to favoritesRoberta Gemma, Anina Silk, Vickie Brown
FACCETTA NERA – 2019 – Faccetta Nera is the title of a song written by Renato Micheli and composed by Mario Ruccione in April 1935. This song was certainly inspired by the fascist propaganda that prepared the Italians to face the Ethiopian war. The movie has no political label or orientation and uses the title of the song only to highlight the historical period in which the story unfolds. The story takes place in Naples in 1935 and tells of the generational contrast between a powerful gerarca (Massimiliano Storace) and a young militant of the fascist party (Josc Admiral) who live in the same building. Taking advantage of the departure of the gerarca for Abyssinia, the young fascist tries in every way to attract the attentions of his wife (Roberta Gemma) unknowingly involving also the elderly mother-in-law. When everything seems over, a twist will reverse the events of the story.
The Historical Context:
It’s September 11, 1935, we are less than a month from the start of the Ethiopian campaign. In the intentions of the fascist regime, this colonial expedition must be the maximum expression of the strength and efficiency of the Kingdom of Italy. Failure is not contemplated, far from it: this war will have to mark the definitive consecration of the regime in the much sought after ‘place in the sun’ on the international scene, strengthening its image and prestige through a military campaign conducted with enormous deployment of means for a inexorable victory.
In this context, the propaganda system also assumes fundamental importance, through a series of measures aimed at enhancing the imminent expedition, or, to put it better, at the need for a salvific Italian intervention towards the Abyssinian population, oppressed by a state of slavery. . Here then is the flourishing of various ‘canzonette’ in which the graceful and catchy melody is combined with programmatic texts of strong impact: we remember in particular a 78 rpm which includes the two ‘preparatory hymns’ for the war of Ethiopia, or ‘Faccetta nera’ and ‘I salute you, I am going to Abyssinia’. As mentioned, these are “choral” songs in which the candidates for the expedition declare their virile enthusiasm in front of a real “call of destiny”.
According to the propaganda plan of the Italian Army, in 1935 alarming news spread about the slavery conditions with which the Empire of Ethiopia kept the Abyssinian population subject. A firm, decisive and definitive intervention by the Italian forces is urgently needed to put an end to this slavery, so as to celebrate the colonialist vocation of an Italy ready to expand the borders of its Kingdom significantly. These are the ‘historical’ premises that saw the birth of a song like ‘Faccetta nera’, in which the Roman poet Renato Micheli addressed his words directly to a hypothetical young slave (the ‘beautiful Abyssinian’, in fact) urging her to wait for the triumphant coming and civilizer of the ‘black shirts’.
This is the historical context in which Mario Salieri sets the story of his new film. We have a powerful and affirmed hierarch (Massimiliano Storace) who is preparing for the Abyssinian expedition: we see him haughty, motivated and dismissive of the danger as a regime wants, to face the legitimate insecurities and fears of his beautiful wife (Roberta Gemma), worried about the mission to which her husband is called.
But you know, in fascist families there is no time for tears: during the absence of her husband, the role of the woman will be the eminently domestic role of ‘angel of the hearth’. Roberta will have to look after the elderly mother of the man, who is bedridden and in need of care.
As per script in the Salierian stories, the disturbing element manifests itself in the landing of the house, and has the features of a young fascist militant (Josc Admiral), handsome and domineering, who lacks respect for the hierarch with his daring behavior. The boy is punctually ‘cazziato’ for not having greeted the superior ‘Roman’, however thanks to his comment in voice over we learn that he does not care about the violent reproach: yes, because as soon as the hierarch leaves for Ethiopia he will take care of the wife of this domineering ‘big shot’, trying to earn her sexual favors.
As the young man in the black shirt explains, it has been some time since he has set his eyes on the woman, provoking her also through the ‘attentions’ directed in plain sight to the aunt of one of his comrades (Vickie Brown). In short, it is a matter of time, and the beautiful Roberta will give up. Will it really go like this? To find out, just enjoy the film,
This new Salieri is added, as we have seen, to the historical setting works so dear to the director, a story re-enacted with the scruple of the enthusiast attentive to the ‘customary’ aspects of the eras from time to time treated. Music, for example: it had been like this in the ‘Neapolitan carousel’, here we are once again catapulted in the middle of the twenty years thanks to the recovery of the song that gives the title to the film and the revival of the popular success ‘Ma le gamba’, dated 1938 and used by Mario as a sound commentary to the moments of… ‘solitary intimacy’ of the young fascist when he consults some audacious period magazines.
These important details help the spectator to enter the context of an event that also foresees the celebration of the Juno Roberta Gemma, as always unmissable in the hard scene dedicated to her. In the writer’s opinion, Roberta is the perfect embodiment of the ‘mogliamante’, to bother the title of a film with Laura Antonelli: a prosperous woman whose physicality, properly exhibited and enhanced by Mario’s filming, embodies a generous and homemade sexuality ‘without losing a sex appeal always and in any case highly sensual. Looking at Roberta Gemma in all her production with Salieri, the words Marcello Mastroianni addressed to ‘Anitona’ Ekberg in Fellini’s’ Dolce Vita ‘come to mind:’ You are the first woman on the first day of Creation. You are the mother, the sister, the lover, the friend, the angel, the devil, the earth, the house … Ah, that’s what you are: the house! ‘
This means that the roles created by the Neapolitan director for Roberta give her an ‘all-knowing’ femininity, both in the part played and in the more specifically sexual part.
In historical films, Mario’s shooting style for hard scenes tends to enrich the frame with furnishing details that make the surrounding environment ‘live’: to frame the sexual performance we have for example the lingering the eye of the director on old bedside tables, chairs or paintings, which, while remaining ‘at the edges’ of the screen, act as ‘subliminal’ elements that need only be absent-minded to receive that additional temporal information.
Having said that, remember that Salieri has always accustomed his audience to a multiple reading of his films, and ‘Faccetta nera’ is no exception: the title is a propaganda hymn that introduces us to the ‘historical plot’ of the story, but with the progress of the events is clear that the motif is also a mockery tool of the young fascist towards the hierarch: as soon as the latter leaves singing to conquer Abyssinia, the boy will proceed to conquer his wife … all thanks to the same song, which sends one to war, the other to have sex. Magic of Maestro Salieri. As always.
Remember that the film has no political label or orientation and uses the title of the song only to highlight the historical period in which the story unfolds.
Sex acts & positions: kissing, handjob, blowjob, kneeling doggy, cowgirl, reverse cowgirl, standing doggy, spoon, cum on ass, cum on legs, pussy fingering, 69, handjob to completion, cum on tits, missionary
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Was sent by one of our VIP users, his description:
Another classic porn with incest that i found and that was new to me, which is very very rare. “Arsen und Spitzen-Höschen” german title german audio. In this film you have great actors and beautiful girls.
You have a family where anyone tries to fuck, so you have lots of cheating… That’s not an unusual plot but at the end the father found out that the mother cheated on him and to punish her he decides to fuck the stepdaughter/daughter.
Makes sense to me…haha… I was really surprised to find a incest scene in a film that i’ve never seen…
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