Melanie (Casey Calvert) is an ambitious attorney enjoying an open marriage with Jason (Michael Vegas). Jason is a photographer who likes to watch his wife have sex with other men and take pictures of their trysts. Together they are a passionate and adventurous couple inspiring each other to discover new levels of intimacy.
Starring: Savannah Bond, Casey Calvert, Isiah Maxwell, Mona Azar, Codey Steele, Michael Vegas
Categories: BBC, Blowjobs, Brunettes, Cuckolds, Double Penetration, Feature, Gonzo, Hotwife, Interracial, Naturally Busty, Pantyhose & Stockings, Photoshoot, Prebooks, Shaved, Short Hair & Pixie, Strap-Ons, Threesomes, Wives
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Francesca Palma al suo esordio in un film che lascerà il segno!!Una giovane ragazza vive una condizione di estremo disagio dopo la morte improvvisa della madre.Il suo Diario diventa la sua valvola di sfogo dove annotare tutte quelle torbide situazioni che da lì a breve dovrà, suo malgrado, condividere con il padre e il fratello maggiore!! Genere Taboo
Francesca Palma at her debut in a film that will leave her mark !! A young girl lives in a condition of extreme discomfort after the sudden death of her mother. he will have to, in spite of himself, share with his father and older brother !! Genus Taboo
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Femdom Mommy (Penny Barber) hired a cute new male intern. She puts him through the wringer by fucking his ass with strap-ons, sitting on his face, making him worship her ass and legs, making him eat her pussy, tying up his balls, and making him lick his own cum off her pantyhose.
Director: Penny Barber
Categories: BDSM, Big Boobs, Erotic Vignette, Facesitting, Female Domination, Fingering, Handjobs, MILF, Pantyhose & Stockings, Pegging, Popular with Women, Rimming, Sex Toy Play, Strap-Ons
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Add to favoritesFamilie Matuschek 1 (1998)
Scene 1. Gerold
Scene 2. Elke Maranoff
Scene 3. Nadine Perrier, Thomas Fritz
Scene 4. Elke Maranoff, Nadine Perrier, Gerold
Scene 5. Bea Dumas, Liza Adorata, Nadine Perrier, Dominique Dime, Tom Cruiso
Scene 6. Claudia Smeralda, Jean Pallett
Scene 7. Heike Rochus
Scene 8. Heike Rochus, Jean Pallett, Lee Valentine
Scene 9. Anja Rochus, Rene Bar
Scene 10. Elke Maranoff, Gerold
In scene 5 Nadine Perrier is only watching and masturbating.
Scene 8 and 9 are intercut.
Anja Rochus Anal Facial
Bea Dumas Pee
Claudia Smeralda Facial
Dominique Dime
Elke Maranoff GS
Gerold Pee
Heike Rochus Anal Facial DP
Jean Pallett
Lee Valentine
Liza Adorata Anal Fisting
Nadine Perrier Anal Facial
Rene Bar
Thomas Fritz
Tom Cruiso GS
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Familie Matuschek 2 (1998)
Scene 1. Gerold
Scene 2. Elke Maranoff, Gerold
Scene 3. Nadine Perrier, Unknown Male 367717-A
Scene 4. Anja Rochus, Lee Valentine
Scene 5. Tanja Carnac, Andy Tjerborg
Scene 6. Diana, Horst Baron
Scene 7. Anja Rochus, Elke Maranoff, Gerold
Scene 8. Tina Dorada
Scene 9. Tina Dorada, Gerold
Scene 10. Anja Rochus, Tina Dorada
Scene 11. Elke Maranoff, Lee Valentine
Scene 12. Elke Maranoff, Gerold
Scene 13. Elke Maranoff, Lena Hernandez, Gerold, Jean, Unknown Male 367717-B
Andy Tjerborg
Anja Rochus Anal Fisting
Diana Anal
Elke Maranoff
Gerold
Horst Baron
Jean
Lee Valentine
Lena Hernandez Fisting
Nadine Perrier Facial
Tanja Carnac Anal
Tina Dorada
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Familie Matuschek 3 (1998)
Scene 1. Anja Rochus, Nadine Perrier, Lee Valentine
Scene 2. Nadine Perrier, Tina Dorada, Alex Hero, guy, Jasper Gude, Peter Jensen
Scene 3. Anja Rochus, guy
Scene 4. Lena Hernandez, Jean Pallett
Scene 5. Suzette Dale, Lee Valentine, Silvio Oczan
Scene 6. Suzette Dale, Silvio Oczan, Wolf Martin
Scene 7. Nicole, Lee Valentine
Alex Hero
Anja Rochus Anal
Jasper Gude
Jean Pallett
Lee Valentine
Lena Hernandez Anal Facial Fisting
Nadine Perrier Facial
Nicole
Peter Jensen
Silvio Oczan Pee GS
Suzette Dale Anal Facial GS
Tina Dorada Anal Facial DP
Udo Valentin NonSex
Wolf Martin Pee
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Familie Matuschek 4 (1999)
Scene 1. Carina Perreira, Armin Cyliax
Scene 2. Giselle Adamiche, Udo Valentin
Scene 3. Diana, Tanja Riviera, Horst Baron
Scene 4. Anja Rochus, Nadine Perrier
Scene 5. Unknown Female 245203-B, Jean Pallett, Wolf Martin
Scene 6. Nadine Perrier, Rene Bar
Scene 7. Paola Reve, Wolf Martin
Anja Rochus LezOnly
Armin Cyliax
Carina Perreira Facial
Diana Anal Facial Pee GS
Giselle Adamiche Facial
Horst Baron Pee
Jean Pallett
Nadine Perrier BJOnly
Paola Reve Facial GS
Rene Bar
Tanja Riviera Facial Pee GS
Udo Valentin
Unknown Female 245203-B Anal Facial
Wolf Martin Pee
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Add to favoritesRoberta Gemma, Anina Silk, Vickie Brown
FACCETTA NERA – 2019 – Faccetta Nera is the title of a song written by Renato Micheli and composed by Mario Ruccione in April 1935. This song was certainly inspired by the fascist propaganda that prepared the Italians to face the Ethiopian war. The movie has no political label or orientation and uses the title of the song only to highlight the historical period in which the story unfolds. The story takes place in Naples in 1935 and tells of the generational contrast between a powerful gerarca (Massimiliano Storace) and a young militant of the fascist party (Josc Admiral) who live in the same building. Taking advantage of the departure of the gerarca for Abyssinia, the young fascist tries in every way to attract the attentions of his wife (Roberta Gemma) unknowingly involving also the elderly mother-in-law. When everything seems over, a twist will reverse the events of the story.
The Historical Context:
It’s September 11, 1935, we are less than a month from the start of the Ethiopian campaign. In the intentions of the fascist regime, this colonial expedition must be the maximum expression of the strength and efficiency of the Kingdom of Italy. Failure is not contemplated, far from it: this war will have to mark the definitive consecration of the regime in the much sought after ‘place in the sun’ on the international scene, strengthening its image and prestige through a military campaign conducted with enormous deployment of means for a inexorable victory.
In this context, the propaganda system also assumes fundamental importance, through a series of measures aimed at enhancing the imminent expedition, or, to put it better, at the need for a salvific Italian intervention towards the Abyssinian population, oppressed by a state of slavery. . Here then is the flourishing of various ‘canzonette’ in which the graceful and catchy melody is combined with programmatic texts of strong impact: we remember in particular a 78 rpm which includes the two ‘preparatory hymns’ for the war of Ethiopia, or ‘Faccetta nera’ and ‘I salute you, I am going to Abyssinia’. As mentioned, these are “choral” songs in which the candidates for the expedition declare their virile enthusiasm in front of a real “call of destiny”.
According to the propaganda plan of the Italian Army, in 1935 alarming news spread about the slavery conditions with which the Empire of Ethiopia kept the Abyssinian population subject. A firm, decisive and definitive intervention by the Italian forces is urgently needed to put an end to this slavery, so as to celebrate the colonialist vocation of an Italy ready to expand the borders of its Kingdom significantly. These are the ‘historical’ premises that saw the birth of a song like ‘Faccetta nera’, in which the Roman poet Renato Micheli addressed his words directly to a hypothetical young slave (the ‘beautiful Abyssinian’, in fact) urging her to wait for the triumphant coming and civilizer of the ‘black shirts’.
This is the historical context in which Mario Salieri sets the story of his new film. We have a powerful and affirmed hierarch (Massimiliano Storace) who is preparing for the Abyssinian expedition: we see him haughty, motivated and dismissive of the danger as a regime wants, to face the legitimate insecurities and fears of his beautiful wife (Roberta Gemma), worried about the mission to which her husband is called.
But you know, in fascist families there is no time for tears: during the absence of her husband, the role of the woman will be the eminently domestic role of ‘angel of the hearth’. Roberta will have to look after the elderly mother of the man, who is bedridden and in need of care.
As per script in the Salierian stories, the disturbing element manifests itself in the landing of the house, and has the features of a young fascist militant (Josc Admiral), handsome and domineering, who lacks respect for the hierarch with his daring behavior. The boy is punctually ‘cazziato’ for not having greeted the superior ‘Roman’, however thanks to his comment in voice over we learn that he does not care about the violent reproach: yes, because as soon as the hierarch leaves for Ethiopia he will take care of the wife of this domineering ‘big shot’, trying to earn her sexual favors.
As the young man in the black shirt explains, it has been some time since he has set his eyes on the woman, provoking her also through the ‘attentions’ directed in plain sight to the aunt of one of his comrades (Vickie Brown). In short, it is a matter of time, and the beautiful Roberta will give up. Will it really go like this? To find out, just enjoy the film,
This new Salieri is added, as we have seen, to the historical setting works so dear to the director, a story re-enacted with the scruple of the enthusiast attentive to the ‘customary’ aspects of the eras from time to time treated. Music, for example: it had been like this in the ‘Neapolitan carousel’, here we are once again catapulted in the middle of the twenty years thanks to the recovery of the song that gives the title to the film and the revival of the popular success ‘Ma le gamba’, dated 1938 and used by Mario as a sound commentary to the moments of… ‘solitary intimacy’ of the young fascist when he consults some audacious period magazines.
These important details help the spectator to enter the context of an event that also foresees the celebration of the Juno Roberta Gemma, as always unmissable in the hard scene dedicated to her. In the writer’s opinion, Roberta is the perfect embodiment of the ‘mogliamante’, to bother the title of a film with Laura Antonelli: a prosperous woman whose physicality, properly exhibited and enhanced by Mario’s filming, embodies a generous and homemade sexuality ‘without losing a sex appeal always and in any case highly sensual. Looking at Roberta Gemma in all her production with Salieri, the words Marcello Mastroianni addressed to ‘Anitona’ Ekberg in Fellini’s’ Dolce Vita ‘come to mind:’ You are the first woman on the first day of Creation. You are the mother, the sister, the lover, the friend, the angel, the devil, the earth, the house … Ah, that’s what you are: the house! ‘
This means that the roles created by the Neapolitan director for Roberta give her an ‘all-knowing’ femininity, both in the part played and in the more specifically sexual part.
In historical films, Mario’s shooting style for hard scenes tends to enrich the frame with furnishing details that make the surrounding environment ‘live’: to frame the sexual performance we have for example the lingering the eye of the director on old bedside tables, chairs or paintings, which, while remaining ‘at the edges’ of the screen, act as ‘subliminal’ elements that need only be absent-minded to receive that additional temporal information.
Having said that, remember that Salieri has always accustomed his audience to a multiple reading of his films, and ‘Faccetta nera’ is no exception: the title is a propaganda hymn that introduces us to the ‘historical plot’ of the story, but with the progress of the events is clear that the motif is also a mockery tool of the young fascist towards the hierarch: as soon as the latter leaves singing to conquer Abyssinia, the boy will proceed to conquer his wife … all thanks to the same song, which sends one to war, the other to have sex. Magic of Maestro Salieri. As always.
Remember that the film has no political label or orientation and uses the title of the song only to highlight the historical period in which the story unfolds.
Sex acts & positions: kissing, handjob, blowjob, kneeling doggy, cowgirl, reverse cowgirl, standing doggy, spoon, cum on ass, cum on legs, pussy fingering, 69, handjob to completion, cum on tits, missionary
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In Fechikano!, the main role belongs to the big-breasted Hime. She walks everyday at the same shopping street, and buys flowers on the shop she is always visitting. One day, she meets a guy near the exit, whom she befriends. He starts doing unimaginable obscene things with her.
Sex Acts & Keywords: There are three different sex scenes in this video. Some of the sex acts include doggy style, missionary and even thighhigh fucking!
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Add to favoritesDirected by: Ovidie
Stars: Dyna Dagger, Liza Del Sierra, Pierre des Esseintes
Language: French | Subtitles: English (hard)
Country: France | Ar: 16:9 | Webrip
Description: It revolves around Leonie-Marie, the presenter of the “Love Confessions”, a reality TV show. Desperate for good ratings, she publishes the most cynical stories of the participants, thus violating their privacy. One day, she has the opportunity to enter a free love community, and there she will be able to explore not only others’ sexuality and desires, but also her own.
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Honey generally played the mom or aunt, one of the most well know MILFs (pre-that term being invented) in the 1980s. She started porn at age 30 with some big natural tits.
Descriptions of sex acts are in the descriptions below, as a sumamry. BJs, facials, , Anal, lesbians, toys, plain old sex, and mucho incest.
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Anna is a wealthy woman and a wise business woman. She runs her successful company with an iron hand, drives luxurious cars and lives in a magnificent villa. Anna has everything to live a happy life. Unfortunately, one day, her world crumbles when she catches Eric, her husband, cheating on her with her best friend. Feeling deeply betrayed, her only mission from now on will be to get her revenge and make Eric suffer as much as she did. One evening, while driving through the Bois de Boulogne, she quickly exits the car and runs off into the woods with Eric trying to keep up with her. After taking off her clothes, Anna starts fucking a total stranger, leaving Eric completely startled. But for Anna, Eric hasn’t suffered enough yet and it’s only the beginning of her revenge. She intends to go further, much further. Eric’s suffering will be long and painful. Who know where Anna’s perversion will stop.
Sex Acts & Keywords: Feature, Big Tits, Big Asses, Big Boobs, DP, Oral, Threesome, Lingerie, Anal, Big Dick, IR.
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