Directed by: John Boorman
Stars: Nigel Terry, Helen Mirren, Nicholas Clay
Language: English + Commentary (2nd track) | Subtitles: English (embed)
Country: Usa | Ar: 16:9 | Brrip
Also known as: The KnightsAdd to favorites
New Year’s Eve casts an urgency unlike any other day of the year as people all over America revel in the infinite possibilities of the coming year. Cecil Howard’s Foxtrot follows the lives of several oversexed New Yorker’s on the last day of the year as they plan and prepare for what they hope will be a night of unforgettable passion. The countdown is on and the stage is set as the Luther’s prepare to host a New Year’s Eve gala where the lives of all the characters will intertwine. New bonds will be forged and old promises broken creating a permanent divide between the all too familiar past and the all too blind future.
With an in telligent script by Ann Randall and superb camera work from Felix Daniel, Cecil Howard coaxes genuine, realistic performances and arousing sexuality from an all-star cast. Jack Teague plays the perverted millionare who will have sex with anyone… but his wife. R. Bolla is the conservative but curious neighbor to Marlene Willoughby’s Zelda, an erotic writer. Sandra Hillman plays the baby-sitter who decides that New Year’s Eve is the time to lose her virginity and Ron Jeremy plays the sailor who discovers his girlfriend is cheating on him… with another woman! Vanessa Del Rio and Tiffany Clark are both objects of desire for the aforementioned Teague. Linda Vale plays the mother to Marilyn Gee’s Alice, a young but notorious starlet who is willing to do anything to get a starring role. Samantha Fox and Veronica Hart round out this all star cast of characters who each in their own way have have pitted themselves in a race against time.
Released in 1982 (prior to AVN awards) Foxtrot was nominated for 13 AFAA awards winning Best Picture, Director, Screenplay, Music and Editing. Gerard Damiano (Deep Throat) said it was “far and away, the best film of the year”
Sexual action includes pussy licking, blowjobs and straight sex in multiple positions including missionary, cowgirl, and doggy style. Also includes some lesbian action, FFM threesomes and an anal scene.
Stars: Jamie Gillis, Serena, Lisa Marks
Language: English + Commentary (2nd track)
Country: Usa | Dvdrip
Description: Sexually repressed young virgin Honey refuses to make love to her frustrated boyfriend Johnny. Honey instead spends her time tending to her angry and domineering wheelchair-bound brother Michael. However, Honey eventually experiences a belated sexual awakening that compels her to start seducing both men and women alike.
Only one other version of this golden age classic on the site and this torrent is a quality upgrade as re-mastered by Wildside. These guys do as good or better than Vinegar Syndrome with their remastering. This is great picture quality.
Sexysadie upped the only other version on the site almost four years ago and did a great job with the description so…I stole it of course (thanks sexysadie)!
Georgina Spelvin plays Justine Jones, a lonely, depressed spinster who decides that suicide is the only way out of her routinely dull existence. While lying in the bathtub, Justine slits her wrists, dying quietly as the water fills with her blood.
Because she has lived a “pure” life, Miss Jones finds herself in limbo. There she meets Mr. Abaca (John Clemens), an angel, of sorts, who informs her that she does not qualify for entrance to Heaven because she has killed herself. Angry that this one indiscretion has left her with only the options of limbo or Hell, she begs Mr. Abaca to let her “earn” her place in Hell by being allowed to return to earth and become the embodiment of lust. After an intense session of pain and pleasure with a menacing man who goes only by the title of “The Teacher” (Harry Reems), Justine has a few bizarre and sexually deviant encounters, the last of which is a graphic threesome.
However, just as she is enjoying her new life of lust, the brief time Justine was given to fulfill herself runs out and she is faced with the eternity of Hell. At first, Miss Jones is horrified at the pain she will be forced to endure, but Abaca is quick to dispel the common human myth of Hell and promises Justine that she will be “quite comfortable…”
Justine, now a raging sex addict, then finds herself confined to a small room with an impotent, sexually uninterested man who is more interested in catching flies than her. She desperately begs the man for sex, but he simply asks her to be quiet while he listens to the buzzing of his imaginary insects.
Trapped in her own private hell, Miss Jones is left screaming in agony for all eternity, thirsting for a climax she will never achieve by her own means.
Sexual action includes pussy licking, blowjobs and straight sex in multiple positions including missionary, cowgirl, and doggy style. Also has a lesbian scene threesomes both MFF and FFM, anal and DP.
The Devil in Miss Jones (1973) is a pornographic film, written, directed and produced by Gerard Damiano and starring Georgina Spelvin. It is widely regarded as a classic adult film, released during the Golden Age of Porn. Damiano made the film after his 1972 success with Deep Throat. Along with Deep Throat and Behind the Green Door, the film is associated with the brief period known as porno chic or the Golden Age of Porn. It went on to spawn numerous remakes and sequels.
The movie was given an X rating by the MPAA and premiered at the 57th Street Playhouse in New York City. In many theaters it was shown after Deep Throat as part of a double bill. The Devil In Miss Jones broke the box office record for a pornographic film. It was more commercially successful than both Deep Throat and Behind the Green Door, and successfully competed against mainstream films. It earned $15 million in gross rental at the U.S. box office, making it the tenth most successful film of 1973, just behind Paper Moon with Ryan O’Neal and Live and Let Die with Roger Moore
As with the other films of the Porno chic era, it was reviewed by the film critics of mainstream newspapers. The film’s review in Variety said that, “With The Devil in Miss Jones, the hard-core porno feature approaches an art form, one that critics may have a tough time ignoring in the future”, and compared its plot to Jean-Paul Sartre’s play No Exit. The review went on to say, “Damiano has expertly fashioned a bizarre melodrama”, and described the opening scene as, “a sequence so effective it would stand out in any legit theatrical feature.” It finished by stating, “Booking a film of this technical quality into a standard sex house is tantamount to throwing it on the trash heap of most current hard-core fare.”
According to Peter Michelson there is, “a relatively small corpus of [pornographic] films – e.g., Deep Throat, Devil in Miss Jones, Behind the Green Door – that have a minimal but still sufficient artistic interest to distinguish themselves from the rest of the genre”.
Other critics have described it as, along with Deep Throat, one of the “two best erotic motion pictures ever made”. William Friedkin has called it a “great film”, partly because it was one of the few porn films with a proper storyline. It was one of the first films to be inducted into the XRCO Hall of Fame.
Sexy Sadie’s Two Bits:
The Devil in Miss Jones was one of the first high production value films of the Golden Age Porn when it was produced in 1973. It included a full range of sexual activity including oral sex, (blow jobs and cunnilingus) both hetero and lesbian, full frontal nudity, sex showing full penetration in missionary, reverse cowgirl, spooning and doggy positions, enemas, three ways including double penetration as well as money shots.
This film is being uploaded as part of the Golden Age of Porn Collage.Add to favorites
The film starts off with a guy playing guitar in prison and abruptly switches to a scene with Vanessa Del Rio in a car with three guys and a girl. Apparently, Vanessa was picked up hitch-hiking…big mistake on her part. The “gang” takes her back to their hide-out and the three men of the group swiftly take to making Ms. Del Rio “air-tight” in a pretty long and rough rape scene, complete with DP and jizz-bath action. When they’ve all “finished”, the gang begins to plan their next caper – but not before one of the group goes back for a little extra “fun” with Vanessa. Their next heist includes the abduction of a family (husband, wife, and two daughters) who are also brought back to the gang’s lair and abused. The daughters are made to give their dad a blow-job, and then both daughters and the wife are raped. The chick of the gang (I guess feeling a little left out), goes downstairs to have some fun with the still captive Del Rio. After all this “action” – the scene cuts back to the guy playing guitar in prison (who turns out to be one of the kidnappers), and then a short “resolution” scene where you see the kidnapped family back in their van discussing how they escaped…
Definitely threadbare story wise, but the rape and incest overtones are suitably sleazy for this era of XXX “roughie” films. A few of the sex scenes and girls in APPOINTMENT are pretty hot, and Del Rio is lookin’ quite good in this one – I’ll just say that she didn’t age well later on in life. Recommended for those that get a kick out of the rougher/sleazier material – all others should probably steer clear…7.5/10
Vanessa del Rio -= Plays =- Waitress
Red Baron -= Plays =- Steve
Crystal Sync -= Plays =- Jan (as Brenda Kan)
Holly Bush -= Plays =- Jonathan’s Wife (as Barbara Bush)
Clea Carson -= Plays =- Susan (as Justin Fletcher)
David Pierce -= Plays =- Guitar Player (as David Standish)
Roger Caine -= Plays =- Gage (as Aldo Parish)
Susaye London -= Plays =- Cheryl (as Suzanne Ray)
John Bush -= Plays =- Jonathan
Scene 1. Vanessa del Rio, Roger Caine, David Pierce, Red Baron
Scene 2. Vanessa del Rio, Red Baron
Scene 3. Susaye London, John Bush
Scene 4. Crystal Sync, Vanessa del Rio
Scene 5. Clea Carson, John Bush
Scene 6. Clea Carson, Susaye London, Red Baron
Scene 7. Barbara Bush, Roger Caine, David Pierce
Scene 8. Susaye London, Roger Caine
Scene 9. Clea Carson, David Pierce
Directed by: Gérard Kikoïne
Stars: Oliver Reed, Eartha Kitt, Annabel Schofield
Country: Uk | Ar: 4:3 | Vhsrip
Description: On an 18th century Caribbean island run by debauched colonial plantation owners, an enslaved Scotsman joins a slave revolt.Add to favorites
The Plot from a review by Disco Dirge
As her mother (Linda Vale) is getting fisted by her depraved lover Robert (Jamie Gillis), slutty little Sandy (Lynda Thatcher) gets off on their sex noises. She grabs a hairbrush and puts the non-business end up her snatch. Satisfied, she heads for the shower. Suddenly, a naked Robert walks in, and attempts to seduce her. When Mommy catches the couple, Sandy becomes persona non grata around her bawdy abode. She decides to run away and join her sister in the Big Apple. She calls her equally skanky pal Bonnie (Kandi Barbour) for some advice, but her friend is too busy trying to pork the tennis pro (Ashley Moore) to care. With mad Mommy in hot pursuit, Sandy hits the road and is picked up a magician (Jake Teague). He takes her back to his hotel room, and hypnotizes her into watching him make it with his paid paramour (Jody Maxwell). The next day, the couple is gone, and Sandy is left to fend for herself.
Eventually arriving in New York, Sandy decides to look up her twin sister. The relative works for Rhonda (Veronica Hart), a flesh peddler with a jaundiced gigolo named Snow (Eric Edwards) doing all her dirty work. Turns out Rhonda hires out Sandy’s sister to a mystery man. When Snow stops by to deliver a new set of sexy photos to Mr. X, the boss’s mistress (Arcadia Lake) puts the moves on him. It’s not long before Sandy is drawn into this weird web of sexual fantasy. Is it real? Is it all in her mind? Did Robert try to fuck her, or is this all some warped way of remembering a father (Roy Stuart) who left home in a hurry under equally strange circumstances? We never do learn the answer as Sandy finally lives out her lustful desires. Apparently, under the naughty Neon Nights of New York, fucking fills all gaps – except for those in the plot.
Dirtymoviedevotee from Brugge, Belgium
Howard Winters a/k/a “Cecil Howard” is one of the most ambitious filmmakers ever in the adult field. While many of his contemporaries contented themselves by grinding out movies that bore a passable resemblance to what was coming out of the mainstream with a little bit of story and acting that didn’t totally suck, Howard went all the way, constructing complex plots, eliciting exquisite acting from porno professionals not necessarily known for their thespian prowess, shooting and editing the whole thing as efficiently as anything a major studio could come up with at that time. NEON NIGHTS marks something of a crossover in his career, wedged between the glossy elegance of FANTASEX and PLATINUM PARADISE and the angst-ridden emotional exploration of SNAKE EYES and STAR ANGEL. Not coincidentally it was his first cooperation with screenwriter Anne Wolff a/k/a “Anne Randall” who would go on to pen most of his later, “deeper” work, further including the FIRESTORM and SINNERS movies as well as the underrated DREAMWALK. To me personally, NEON NIGHTS remains his very best film and, even though I’ve watched it some 6 or 7 times by now in a variety of venues (including several theatrical screenings which add a whole new dimension to adult movies in general and this movie in particular), I’m always glad to see it anew.
Sad-eyed Lysa Thatcher turns in one of her two finest performances (the other being in Gerard Damiano’s breathtaking SATISFIERS OF ALPHA BLUE) as lonely teenager Sandy, living with divorced mom Linda Vale who’s more interested in playing kinky games (including fist insertion, be forewarned) with boyfriend Jamie Gillis than raising an emotionally confused girl on the brink of womanhood. Vale was an always welcome older woman in the Pat Manning vein whose sexual voracity often contrasted amusingly with her uppity exterior. When it came to brow-beating, she had no equal as her scene-stealing roles in PLATINUM PARADISE and Ron Sullivan’s extremely enjoyable A GIRL’S BEST FRIEND attest. Eavesdropping on her mother’s lovemaking, Sandy masturbates herself to sleep. The very next day, Gillis’ Robert interrupts the girl’s morning shower and attempts to seduce her in a wonderfully tense sequence cut short by mom walking on them. Sandy’s understandably distraught and plans to run away to New York to join her twin sister Denise who, we’re filled in, left home after a similar incident with Robert. She looks to girlfriend Bonnie (an adorably one-track minded Kandi Barbour) for help but she’s way too busy coming on to her tennis instructor Ashley Moore. With the help of traveling magician Harlan (Jake Teague, sporting a rather becoming wig for once) and his amorous assistant Sweet Marie (the scorchingly sensuous Jody Maxwell, star of Damiano’s unjustly forgotten PORTRAIT), Sandy does manage to make it to the Big Apple but not before we’re treated to one of the most unusual sex scenes ever that finds the girl enjoying all the sensations of physical lovemaking while keeping her maidenhead intact through telekinesis and levitation courtesy of the randy wizard ! The tone of the film shifts towards slightly disturbing kinkiness once Sandy arrives in New York and meets Denise’s employer Rhonda (Veronica Hart) and her parasitic paramour Snow (Eric Edwards), both of whom are introduced via a clever PSYCHO shower scene take-off that leads into a scalding number with both vying for power – which is volleyed back and forth – during a thunderstorm. Revealing more of the plot at this point would be a shame. Suffice it to say that these two seem to be involved in some pretty nefarious businesses including drugs and white slavery and that they’re primarily working for a shady character only known as “Mr. Prince” who lives in a cabin in the woods with a mysterious artist named Lilah (Edwards’ then girlfriend Arcadia Lake). Inescapably, Sandy is drawn into their bizarre world but is she truly their victim or are they merely aiding her along towards her subconsciously intended goal ? Final scenes, including a lengthy yet totally riveting initiation ceremony, photographed, edited and scored with the utmost precision, reveal the unsettling truth. A key to unlocking this mystery beforehand is supplied by Winters coding the characters as fairytale archetypes with Sandy the innocent, Alice-like heroine with an evil, uncaring mother, Rhonda the wicked witch, Snow the hunter, Lilah the good fairy, Harlan the wizard and I guess Mr. Prince is self-explanatory.
Not enough praise can be heaped upon this extraordinary erotic masterpiece for it has a psychological richness that very few mainstream – let alone adult – films can hope to match. Anne’s writing skills must be the first to consider as far as the succeeding of this aspect is concerned yet even those could’ve been for naught if Howard’s film-making expertise didn’t match them step for step. Complex but never heavy-going, he weaves a web of seemingly separate story lines that ultimately converge in unexpected ways, delivering an emotional sucker punch that should leave most first-time viewers reeling. Part of this disorienting feeling is due to the casting against type of several popular performers. Jamie Gillis, known for his bad boy portrayals (with Shaun Costello’s consequently sickening WATERPOWER and Chuck Vincent’s classy ROOMMATES) as very different highlights), plays nice guy Robert while Veronica Hart and Eric Edwards eschew their sensitive image and totally throw themselves into the characters of evildoers Rhonda and Snow. Most people who have gone on record about experiencing this one of a kind film have expressed tremendous admiration as well as a need for renewing their acquaintance with the material, some of them ascribing their entire love of adult cinema to it.
Anne Wolff (screenplay) (as Anne Randall)
Cecil Howard (conceived by)
84 This version 87
Linda Vale [Fisting]
Veronica Hart [Anal]
Jack Teague (as Jake Teague)
Non Sex Performers
Cecil Howard (as Ward Summers)
Lysa Thatcher -= Plays =- Sandy
Kandi Barbour -= Plays =- Bonnie
Eric Edwards -= Plays =- Snow
Veronica Hart -= Plays =- Rhonda
Arcadia Lake -= Plays =- Lilah
Jody Maxwell -= Plays =- Sweet Marie
Ashley Moore -= Plays =- Lyle
Linda Vale -= Plays =- Mother
Roy Stuart -= Plays =- Father
Cecil Howard (as Ward Summers)
Jake Teague -= Plays =- Harlan
Jamie Gillis -= Plays =- Robert
Scene 1. Linda Vale, Jamie Gillis
Scene 2. Lysa Thatcher
Scene 3. Lysa Thatcher, Jamie Gillis
Scene 4. Linda Vale, Ashley Moore
Scene 5. Jody Maxwell, Lysa Thatcher, Jack Teague
Scene 6. Veronica Hart, Eric Edwards
Scene 7. Arcadia Lake, Eric Edwards
Scene 8. Lysa Thatcher, Veronica Hart
Scene 9. Linda Vale, Jamie Gillis
Scene 10. Lysa Thatcher, Eric Edwards
Scene 11. Lysa Thatcher, Roy Stuart
Stars: Miyoko Aoyama, Jôji Sawada, Keiko Aikawa
Language: Japanese | Subtitles: English (embed)
Country: Japan | Ar: 2.25:1 | Dvdrip
Also known as: Sekkusu hantâ: Nureta hyôteki
Description: A prison inmate is notified that his sister, whom he idolized, has been raped and murdered by a group of drunken soldiers. Furious, he breaks out of jail to take his revenge upon her killers, but while tracking them down he discovers the existence of something so brutal and horrifying that enrages him more than his sister’s death.Add to favorites