Starring: Steve Holmes, Rebecca Volpetti, Tiffany Doll, Bruno Sx, Violette Pure, Roberta Gemma, Eva Berger, Fabrice Triple X, Rodolphe Antrim, Melody Mae
Categories: 18+ Teens, Blowjobs, Cumshots, Facials, Feature, Lingerie, Naturally Busty, Threesomes
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Add to favoritesStarring: Wanda Alverez
Categories: ’80s, Big Boobs, Blowjobs, Brunettes, Classic, Facials, Family Roleplay, Hairy, Rimming, Threesomes
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Add to favoritesStarring: Penny Write, Katy Duncan
Categories: ’80s, Big Boobs, Blowjobs, Brunettes, Classic, Family Roleplay, Hairy, Small Tits, Threesomes
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Add to favoritesYear: 1985
Country: USA
Language: English
Distributor: Atom Home Video
Director: David Christopher, Janus Raine
Duration: 01:18:03
Starring: Sarah Bernard, Satin Summer (as Satin Summers), Scarlet Scarleau (as Scarlet Scharbeau), Sharon Kane, Tasha Voux (as Tasha Vox), Alan Adrian, David Christopher, Dick Howard, George Payne, Joey Silvera, Scott St. James (as Mic Igan)
Description: An early film from director David Christopher — who later went on to fame as the ‘Pussyman’ — this one delves into the sensual shenanigans of a group of gal pals whose college days were filled with nothing but lust. One of the gals was Satin Summers, a sleek black beauty whose white step-brother used to walk in on her at the worst times — like when she was enjoying a lesbian liaison in the shower with her leggy brunette girlfriend. The brother ends up joining the two of them for some incestuous threeway fun. One of the gals has gone on to become a porn star, taking on three guys at once for the sheer thrill of it. Another is Tasha Voux, a busty babe who has gotten married and settled down. Now it seems that their teacher (Sharon Kane) is organizing a reunion back in San Francisco, and they’re all invited to come relive their sexy salad days. What Sharon doesn’t tell the gals is that now she’s running a male strip joint — and enjoying some fiery fringe benefits from her well-built employees! You can bet that once these tasty tarts get back together, there will be plenty of pulse-pounding passion in store. Filled with steamy action and stunning women, this is one ribald reunion you won’t want to miss.
Sex acts: incest and interracial theme, blowjob, ball sucking, nipple sucking, pussy rubbing, missionary, cunnilingus, riding dick, jerk off, handjob, cum on thigh, showering, threesome, girls kissing, double blowjob, female cunnilingus, doggy style, cum on ass and clean up, gang bang, orgy, deep throat, rimming, spit roast, cum on tits, femdom, asskissing, fondling, breast play, face sitting, 69, kneeling blowjob, reverse cowgirl, lesbian orgy lickfest, dildo play fucking and sucking, cum in mouth and facial
Black Sister White Brother (1987).rar
Add to favoritesStarring: Mike Ranger, Carol Howe, Anita (VI)
Categories: ’80s, Big Boobs, Big Cocks, Blowjobs, Brunettes, Classic, Facials, Family Roleplay, Fingering, Threesomes
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FIRESTORM represented an opportunity for talented adult filmmaker Howard Winters a/k/a “Cecil Howard” to do pure soap opera rather than the convoluted psychological explorations such as NEON NIGHTS, SCOUNDRELS and SNAKE EYES he and his regularly contributing writer Anne Wolff (a/k/a “Anne Randall”) were justifiably famous for. The result proved one of their greatest collaborations : a multi-layered melodrama told in then revolutionary non-linear fashion, liberally flashing forward and backward in time (a technique since surpassed and taken to dizzying extremes by motion pictures and TV series alike), with memorable characters portrayed with all the professionalism this superstar cast could muster.
Down on his luck author Kenny Cushing (veteran performer Eric Edwards doing some of his best work along with the “Harry Crocker” movies he did for Ron Sullivan) finds himself hired by ludicrously wealthy Magda Balcourt (class act Kay Parker, the reluctantly incestuous mom from Kirdy Stevens’ TABOO series) to ghost-write her autobiography. Along with husband Lee (the inimitable John Leslie), she’s apparently “rolling in oil” though their involvement in shady dealings with powerful people will cost them dearly before the film’s over. Installed in the Balcourt mansion by Magda, who has plans other than dictating her life story and refuses to take no for an answer, Kenny sneaks out in the middle of the night for drinks at a bar where his former girlfriend Liza (the scene-stealing Victoria Jackson a/k/a “Tina Marie”, unforgettable star of Kemal Horulu’s NEVER SLEEP ALONE) works as an exotic dancer. Their relationship ended abruptly when Ken caught her cheating in the awesome award-winning “red scene” with George Payne, Sharon Kane and Michael Bruce, Kane’s then boyfriend and an unfortunate HIV casualty since. The passion’s quickly rekindled though, with Liza seeking to add some spice to their already incendiary lovemaking by forcing Kenny to phone the Balcourt residence, only to find himself unwittingly talking dirty to the family’s blind daughter Claire (beautiful blonde Joanna Storm in a heartbreaking career turn). A flashback informs us that Claire’s blindness occurred as a result of catching her mother seducing her boyfriend Louis (Sean Elliott, also in Ron Sullivan’s MASCARA and THE WIDESPREAD SCANDALS OF LYDIA LACE) on her sweet sixteen birthday ! The unassuming catalyst who propels the plot to its inevitable conclusion turns out to be Lee’s secretary and mistress Barbara (German starlet Rikki Harte, also in Howard’s SPITFIRE and SNAKE EYES), a bungling burglar attempting to make off with her employer’s secret ledger detailing all of his financial wrongdoings.
While complex, the intertwining story lines shouldn’t provide much of a challenge to anyone willing to devote the necessary attention to the proceedings as everything fits together quite logically in the end. Even the title is explained by Edwards to interviewer Veronica Hart (unfortunately in a brief non-sex role) as a poetic term well, he is a writer after all for the overwhelming love he felt for Claire with whom he shares a brief three-way romance under Liza’s watchful tutelage. Though the movie stands perfectly well on its own, certain characters (like society siren Elise Paul, played by Sharon Mitchell, instrumental in directing Kenny towards the Balcourts) seem somewhat underdeveloped at this stage, an error amply rectified by two sequels. Production is purely professional in every aspect with glowing cinematography and exquisite lighting, razor-sharp editing that keeps the pace up and running even at 105 minutes in length and one of the finest theme songs (D’Arcy Brooke’s hauntingly romantic “Coming Back to Me”) ever bestowed upon an adult film.
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Add to favoritesDuration: 01:52:07
Directed by: Jean-Claude Brisseau
Actors: Coralie Revel, Sabrina Seyvecou and Roger Miremont
Language: French with English subtitles
Country: France
Also known as: Choses secrètes
Description:
Natalie is the most beautiful and successful stripper in erotic show. New employee refuses Sandrine owner of sexual harassment. She and Natalie, who took the girl, thrust out into the street. Sandrine has nowhere to go, because she was owed for the room hostess. Natalie invites a new friend to her.
Natalie gradually transforms inexperienced girl by teaching her how to use her body and sexual freedom to manipulate others. Girls decide to conquer the world. They engage themselves in a large bank, where, after passing over the bodies get to the son of the owner of the bank. But the young man sets its own rules …
Alternative Description:
Two young women find themselves struggling to survive in Paris, street-wise Nathalie, a stripper, and naïve Sandrine, a barmaid. Together, they discover that sex can be used to their advantage, and pleasure. Both find positions in the office of a large bank, where bored, under-stimulated, prey are easy pickings. After making their way though several layers of executives at the bank, with destructive, and lucrative, results, they approach Christophe, scion to the bank director. What they don’t know is that he is a manipulative voyeur, whose last two lovers set themselves on fire when he rejected them. A connoisseur of high-class orgies, he is only interested in new talent to satisfy the appetites of all whom he controls. In him, the girls have found an opponent who knows all their wiles, and will challenge their simple under-class friendship with levels of jealousy and ecstasy that they have never experienced before. Will they survive?
One of the best movies I’ve seen in a while. Not for the conservative minded or squeamish, from beginning to end there is little more than sex. But that’s integral to the plot. This is a movie that showcases the violence and the decay that is just under the surface of respectable society. It’s about two strong characters who begin down the road to a tragedy of their own making. It questions morality, it pushes the limits, it steps over ‘that thin line’, and it takes us over the line with it. It is human weakness, irrationality, and most of all, obsession, on film.
The acting, both in and out of the “bedroom” was excellent. It is sometimes hard to follow, especially with the subtitles, but that only makes watching it a second time more worth it. I’ve never seen it on sale or for rent in a store, but if you have an online DVD rental service, then you’ll have no problem getting a hold of it.
Plot Keywords: orgy | brother sister incest | public nudity | panties pulled down | removing panties in public place
Explicit Sex, incest, lesbian, orgy, SECRET, sex
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Add to favoritesThe movie is devided into 3 episodes, with different content and styles. The most interesing ones are: Delirio dell anima and Adulterio al cinema (adultery in the cinema). The first one is a story about a married woman who reveals the misterious background of her marriage, and tells her psychologist all about it. The second one tells the story of the wifes of two officers, who decide to cheat on their husbands in a movie theater, located in the suburbs.
Cast: Bambola, Francesco Malcom, Greg Centauro, Joe Calzone, Lorenzo Micoli, Remigio Zampa, Silvia Cristian, Uma, Venere Bianca, Veronica Carso
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Add to favoritesAlso Known As (AKA)
(original title) Der må være en sengekant!
Canada (English title) Come to My Bedside
Croatia Zašto Ne Dođeš U Moj Krevet
French Venez dans mon lit petites Danoises
French En amour je n’ai plus dix-sept ans
French En amour je n’ai plus 17 ans
Finland Kaikki yhdessä
Finland Olipa kerran sänky
Finland Parinvaihtoa Kööpenhaminassa
Italy Sexy simphony
Peru Ven a mi cama
Spain Pasión desnuda en el dormitorio
Sweden Full fräs på sängkanten
Turkey (Turkish title) (alternative title) Yatak Başucuma Gel
USA (Poster title) Come to My Bedside
World-wide (English title) (complete title) Without a Stitch Part 3: Come to My Bedside
Børge and Kirsten are newly-weds who encounter some problems when Børge suggests oral sex. Kirsten is shocked (“It’s not natural!”) and calls her mother, who immediately tells her daughter to get a divorce. Børge moves out and rents a room from the stern Mrs Petersen (“No visitors at night!”), who lives alone with her “little boy”. Egon, the “little boy”, turns out to be in his early twenties, and works as a photographer at a micro-chip company.
Børge enjoys his new-found freedom. He picks up Lili and Rita, two liberated girls, at a restaurant and they go back to his place (luckily, Mrs Petersen works nights now and then) for some strip poker and sex. Egon drops by and whispers to Børge that his mother is at work. He also takes some pictures.
Børge, a salesman of sun lamps, also has a sexual adventure with a rich female client in a fancy villa. Her husband catches them in the middle of the act, but sits down and watches (“Please carry on. I’m a little too old for this stuff myself, but I like to watch”).
Egon admires Børge for his easy ways with women. Together they visit a night club, where a stripper sings a song. Børge tries to pick up a girl for Egon (“Hello. It’s my friend’s birthday, and I promised him some pussy. Would you be interested?”). Girl #1 slaps him, girl #2 has a jealous (bodybuilder) boyfriend, but girl #3, Gerda, is game. The three return to Børge’s quarters (Mrs P works the night shift), but Egon falls asleep from too much drink. Børge and Gerda have sex. Egon wakes up a little later, and takes more sexy snaps. The next morning, Gerda says that she’d like to move in with Børge. Børge will have none of it and tells her to leave.
Kirsten has got a job at the same company as Egon. They become friendly. By mistake, Egon has brought some of the sexy snaps to work, and Kirsten recognizes her husband. She gets the address out of Egon, goes to see Børge, but finds Gerda alone in the flat. A cat-fight breaks out, turning into caresses and some lesbian sex. Egon comes back from work and is surprised to find his colleague in bed with Gerda. The three have sex. Kirsten tries oral sex for the first time.
Børge, having had fun with the rich woman all night, returns next morning. He’s more than surprised when he sees his wife in bed with Gerda and Egon. Børge and Kirsten quarrel, but get together again a little later. Egon and Gerda move in together. A mix-up between a picture of micro-chip and a close-up of an open crotch creates a success with a Japanese company, who place an order worth millions.
There’s also a parallel story of Kirsten’s parents and their neighbors, who do a bit of sophisticated wife-swapping (in the dark, so that the wives never find out). The effect of this is, among other things, that Kirsten’s mother experiences the pleasures of oral sex, and fully appreciates it from now on. The last scene has her talking on the phone to her daughter, now back with Børge, who meanwhile pleasures her with his tongue. Kirsten has to put down the phone.
A clever little story, very well made and executed. The sex is sometimes hard core, but in brief, matter-of-fact glimpses (for fifteen minutes in film history it was like that. Then, someone found out that they could show everything all the time). Anne Bie Warburg is incredibly pretty.
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Starring
Søren Strømberg (Børge)
Vivi Rau (Kirsten)
Paul Hagen (Hagbard)
Annie Birigit Garde (Cæcilie)
Ole Søltoft (Svend)
Lise-Lotte Norup (Inger)
Steen Frøhne (Egon Petersen)
Mette von Kohl (Mrs. Petersen)
Anne Bie Warburg (Gerda)
Vic Salomonsen (Rita)
Henriette Hansen (Lili)
Arthur Jensen (Director)
Kirsten Passer (Interpreter)
Valsø Holm (Personnel Manager)
Mette Jepsen (Rich lady)
Michel Hildesheim (Rich lady’s husband)
Ulla Jessen (Bar guest # 1)
Sonia Reichle (Bar guest # 2)
Hans Jørgen Jacobsen (Bar guest # 3)
Toni Marcell (Strip Dancer)
Scene Breakdowns
Scene 1. Vivi Rau, Soren Stromberg
Scene 2. Lisbeth Olsen, Vic Salomonsen, Soren Stromberg
Scene 3. Anne Bie Warburg, Soren Stromberg
Scene 4. Mette Jepsen, Soren Stromberg
Scene 5. Anne Bie Warburg, Vivi Rau
Scene 6. Mette Jepsen, Soren Stromberg
Scene 7. Anne Bie Warburg, Vivi Rau, Steen Frohne
Scene 8. Vivi Rau, Soren Stromberg
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When a woman and her daughter and two sons move in with her brother and his son and two daughters after a difficult divorce, old hidden feelings between her and her brother reawaken and the horny kids start seducing each other.
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