Mario Salieri Productions
Tags:
Cunnilingus Hardcore Lesbian Group Teen Mature Older-younger Fingering Shaved pussy Trimmed pussy Missionary Cowgirl Reverse Cowgirl Doggystyle Cumshot
Description:
Films were shot simultaneously and distributed from October 2017. The writer Alberto, supported by his wife Elsa, is writing a novel centered on a common woman from Ciociaria, Cesira, during World War II. The story begins in Rome in 1943, where Cesira is having her teenage daughter Rosetta visit a doctor who, traumatized by the recent Allied bombing of the city, has shut down in total silence. The woman decides to take refuge in the native country of Sant”Eufemia together with her daughter to escape the air raids and the atrocities of the war.
La Ciociara 1 – Fuga da Roma (Escape From Rome)
Cast:
Steve Holmes, Rebecca Volpetti, Tiffany Doll, Roberta Gemma, Violette Pure, Bruno SX, Eva Berger, Melody Mae, Rodolphe Antrim, Fabrice Triple X, Miklos B. Szekely, Patrick Boyle, Costy Saddy, Filippo Locantore, Marcello Borsa
Mario Salieri Productions
Tags:
Cunnilingus Hardcore Lesbian Group Teen Mature Older-younger Fingering Shaved pussy Trimmed pussy Missionary Cowgirl Reverse Cowgirl Doggystyle Cumshot
Description:
Films were shot simultaneously and distributed from October 2017. The writer Alberto, supported by his wife Elsa, is writing a novel centered on a common woman from Ciociaria, Cesira, during World War II. The story begins in Rome in 1943, where Cesira is having her teenage daughter Rosetta visit a doctor who, traumatized by the recent Allied bombing of the city, has shut down in total silence. The woman decides to take refuge in the native country of Sant”Eufemia together with her daughter to escape the air raids and the atrocities of the war.
La Ciociara 1 – Fuga da Roma (Escape From Rome)
Cast:
Steve Holmes, Rebecca Volpetti, Tiffany Doll, Roberta Gemma, Violette Pure, Bruno SX, Eva Berger, Melody Mae, Rodolphe Antrim, Fabrice Triple X, Miklos B. Szekely, Patrick Boyle, Costy Saddy, Filippo Locantore, Marcello Borsa
La Ciociara Part 3: Return to Sant’Eufemia
Cast:
Rebecca Volpetti, Roberta Gemma, Mario Salieri, Bruno SX, Nico Blade, Pablo Ferrari, Filippo Locantore, Istvan Milosevic, Costy Saddy, Daniel Brown
Continue To Watch or Download >>
Continue To Watch or Download >>
Continue To Watch or Download >>
Add to favoritesDirected by: Jesús Franco
Stars: Lina Romay, Antonio Mayans, Carmen Carrión
Language: Spanish | Subtitles: English (embed)
Country: Spain | Ar: 2.35:1 | Brrip
Also known as: Perversión en la isla perdida, The House of Lost Women
Description: Desdemona lives on an isolated island with her strange family: her father Mario, her mother Dulcinea and her mentally challenged sister Paulova. As the only inhabitants on the island loneliness and desolation engulf all members of her family. Desdemona tries to ward off her boredom by taking long walks along the beach or engaging in acts of self-gratification. She often tries to seduce her own father Mario to engage in acts of a sexual nature. Their daily routine is interrupted by the arrival (by boat) of a robust male stranger who brings friction into Desdemona’s family.
Tagged 1980s, Father Daughter Incest, High Definition, Jesus Franco, Spain, Spanish.
Continue To Watch or Download >>
Add to favoritesStarring: Rebecca Volpetti, Roberta Gemma, Mario Salieri, Bruno SX, Costy Saddy, Pablo Ferrari, Filippo Locantore, Nico Blade, Istvan Milosevic, Daniel Brown
Categories: 18+ Teens, Blowjobs, Couples, Cumshots, European, Face Fucking, Feature, Historical / Period Piece, International, Italy, Mature, Military, Naturally Busty
Continue To Watch or Download >>
Add to favorites
Starring: Steve Holmes, Rebecca Volpetti, Roberta Gemma, Istvan Milosevic, Dario Zavoli, Filippo Locantore, Costy Saddy, Patrick Boyle
Continue To Watch or Download >>
Add to favoritesStarring: Steve Holmes, Rebecca Volpetti, Tiffany Doll, Bruno Sx, Violette Pure, Roberta Gemma, Eva Berger, Fabrice Triple X, Rodolphe Antrim, Melody Mae
Categories: 18+ Teens, Blowjobs, Cumshots, Facials, Feature, Lingerie, Naturally Busty, Threesomes
Continue To Watch or Download >>
Add to favorites
[A Classic Erotic Masterpiece from the Director of Caligula.]
Alt. Titles: Così fan tutte, Todas as Mulheres Fazem, Всички жени го правят, Anna vaimollesi vapaus!, Eine unmoralische Frau, Έτσι Κάνουν Όλες, Etsi Kanoun Oles, Все леди делают это, Bütün Kadinlar Bunu Yapar, All Women Do It
Tags: Artcore, Art, Erotic, All sex, Hardcore, Italian Classic, European porn, Italian porn, Retro, Busty, Big boobs, Hairy Pussy, Voyeur, Masturbation, Masturbate, Cumshot, Blowjob, Oral Sex, Footjob, Feetjob, Legs, feet, foot, Retro, Vintage
Country: Italy
Language: Italian
Subtitles: English (No hard-coded)
Cast: Claudia Koll, Paolo Lanza, Isabella Deiana, Ornella Marcucci, Luciana Cirenei, Rossana Di Pierro, Rosa Maria Pezzullo, Lucia Lucchesino, Franco Branciaroli, Renzo Rinaldi, Marco Marciani, Maurizio Martinoli, Osiride Pevarello, Antonio Conte, Pierangela Vallerino, Jean René Lemoine
For a while now, beautiful 24-year-old Diana Bruni (Claudia Koll) who’s been happily married for five years, has been feeling distressed, experiencing an inexplicable, rather restless craving to finally live her life to the full and to break free from what society forbids. As this urge grows stronger by the day, Diana will ultimately yield to her carnal longings, and through a parade of particularly explicit nocturnal sensual adventures, she will utterly embrace passion, even if this comes by way of transgression. However, before long, the unaware husband, Paolo, will find all about his headstrong and disobedient wife’s extra-marital escapades, raunchy experiences vividly retold by Diana’s very lips, with the intention to rekindle their love and spice up their sexual life. Inevitably, poor Paolo disgraced, enraged and green with jealousy (or could it be envy?), will threaten to move out leaving for good his liberated and adulterous wife who seems to feel no contrition at all. But how can Diana make
Continue To Watch or Download >>
Add to favoritesThe movie is devided into 3 episodes, with different content and styles. The most interesing ones are: Delirio dell anima and Adulterio al cinema (adultery in the cinema). The first one is a story about a married woman who reveals the misterious background of her marriage, and tells her psychologist all about it. The second one tells the story of the wifes of two officers, who decide to cheat on their husbands in a movie theater, located in the suburbs.
Cast: Bambola, Francesco Malcom, Greg Centauro, Joe Calzone, Lorenzo Micoli, Remigio Zampa, Silvia Cristian, Uma, Venere Bianca, Veronica Carso
Continue To Watch or Download >>
Add to favoritesThe Devil laughs his evil laugh as he gives Faust what he desires – knowledge. But the knowledge comes with a price. He gives Faust the weapons of seduction and the knowledge to use other’s sexual desire against them and for his benefit. Faust catches Mephistopheles and convinces him that he has this knowledge and they can use it together for treason, perverse wishes, and shameless desires like experimenting with women.
Scene 1. Silvia Christian, Dora Venter, Rodolphe Antrim, Guido Marini
WWII days, in a movie theatre Silvia and Dora are watching a movie. Silvia seduces Guido sitting next to her. From the backseat, Rodolphe gropes Dora.
(Sex Acts: HandJob, Tits Play, Male Masturbate)
Scene 2. Silvia Christian, Dora Venter, Francesco Malcom, Silvio Evangelista
A brief les action with Silvia and Dora. Fascist Italian militia F.co and Silvio are watching them.
(Sex Acts: F2F Kissing, Self Pussy Fingering, F2F Cunnilingus, Solo Female Masturbate, Solo Male Masturbate)
Scene 3. Silvia Christian, Barbie Vura, Corina Cley, Jessica Gayle, Remigio Zampa
Four women sharing Remigio.
(Sex Acts: BJ, F2M rimming, Doggie, Sideways, Cowgirl, Cowgirl Anal, Facial)
Scene 4. Bambola, Remigio Zampa
Fascist Italian officer Remigio is enjoying life.
(Sex Acts: HandJob, BJ, Doggie, Cowgirl, Mish, Cum in Mouth)
Scene 5. Silvia Christian, Dora Venter, Remigio Zampa
Dore comes to Remigio to ask if he can do anyting for her BF who is in prison. Ofc Remigio can do anything but what can Dora do for him in return…
(Sex Acts: BJ, Doggie, Mish, Mish Anal, Doggie Anal, Facial)
Scene 6. Katsuni, Steve Holmes, Horst Baron
Italian fascist officers and German Nazi officers come together in a reception hall. Katsuni choses two Germans, Steve and Horst to fuck.
(Sex Acts: BJ, Cowgirl, Doggie, Mish Anal, Sideways Anal, Facial)
Scene 7. Gaby Black, Philippe Dean
SS officer Dean watches Gaby masturbating.
(Sex Acts: Self Pussy Fingering, Solo Female Masturbate)
Scene 8. Julia Taylor, Philippe Dean
In a train saloon, Julia seduce Philippe Dean.
(Sex Acts: HandJob, BJ)
Scene 9. Katsuni, Ian Scott, Manuel Ferrara, Philippe Duroc
Katsuni loves German soldiers travelling in the same coach.
(Sex Acts: BJ, Sideways, Cowgirl, Doggie, Mish, Cum in open Mouth, Cum on Tits)
Scene 10. Tara Young, Sebastian Barrio, Ramon Nomar
Italian militia forces capture some German soldiers and their Italian backing friends.
(Sex Acts: Pussy Fingering, BJ, Doggie, Mish, Cowgirl Anal, DP Cowgirl, Cum on Ass, Cum in open Mouth)
Scene 11. Katsuni, Julia Taylor
Katsuni and Julia perform a brief les action to old porn star Alban Ceray who plays a SS General in this movie. Philippe Dean makes Rita Faltoyano watch them to feel her hot.
(Sex Acts: F2F Pussy Fingering, F2F Cunnilingus, F2F 69, F2F Scissor)
Scene 12. Rita Faltoyano, Julia Taylor, Katsuni, Philippe Dean
3 sex bombs do everything to get Philippe Dean up…
(Sex Acts: BJ, HandJob, F2M Rimming, Doggie, From Behind, Sideways, Mish, Cowgirl Anal, Mish Anal, Doggie Anal, Facial)
Continue To Watch or Download >>
Add to favoritesRoberta Gemma, Anina Silk, Vickie Brown
FACCETTA NERA – 2019 – Faccetta Nera is the title of a song written by Renato Micheli and composed by Mario Ruccione in April 1935. This song was certainly inspired by the fascist propaganda that prepared the Italians to face the Ethiopian war. The movie has no political label or orientation and uses the title of the song only to highlight the historical period in which the story unfolds. The story takes place in Naples in 1935 and tells of the generational contrast between a powerful gerarca (Massimiliano Storace) and a young militant of the fascist party (Josc Admiral) who live in the same building. Taking advantage of the departure of the gerarca for Abyssinia, the young fascist tries in every way to attract the attentions of his wife (Roberta Gemma) unknowingly involving also the elderly mother-in-law. When everything seems over, a twist will reverse the events of the story.
The Historical Context:
It’s September 11, 1935, we are less than a month from the start of the Ethiopian campaign. In the intentions of the fascist regime, this colonial expedition must be the maximum expression of the strength and efficiency of the Kingdom of Italy. Failure is not contemplated, far from it: this war will have to mark the definitive consecration of the regime in the much sought after ‘place in the sun’ on the international scene, strengthening its image and prestige through a military campaign conducted with enormous deployment of means for a inexorable victory.
In this context, the propaganda system also assumes fundamental importance, through a series of measures aimed at enhancing the imminent expedition, or, to put it better, at the need for a salvific Italian intervention towards the Abyssinian population, oppressed by a state of slavery. . Here then is the flourishing of various ‘canzonette’ in which the graceful and catchy melody is combined with programmatic texts of strong impact: we remember in particular a 78 rpm which includes the two ‘preparatory hymns’ for the war of Ethiopia, or ‘Faccetta nera’ and ‘I salute you, I am going to Abyssinia’. As mentioned, these are “choral” songs in which the candidates for the expedition declare their virile enthusiasm in front of a real “call of destiny”.
According to the propaganda plan of the Italian Army, in 1935 alarming news spread about the slavery conditions with which the Empire of Ethiopia kept the Abyssinian population subject. A firm, decisive and definitive intervention by the Italian forces is urgently needed to put an end to this slavery, so as to celebrate the colonialist vocation of an Italy ready to expand the borders of its Kingdom significantly. These are the ‘historical’ premises that saw the birth of a song like ‘Faccetta nera’, in which the Roman poet Renato Micheli addressed his words directly to a hypothetical young slave (the ‘beautiful Abyssinian’, in fact) urging her to wait for the triumphant coming and civilizer of the ‘black shirts’.
This is the historical context in which Mario Salieri sets the story of his new film. We have a powerful and affirmed hierarch (Massimiliano Storace) who is preparing for the Abyssinian expedition: we see him haughty, motivated and dismissive of the danger as a regime wants, to face the legitimate insecurities and fears of his beautiful wife (Roberta Gemma), worried about the mission to which her husband is called.
But you know, in fascist families there is no time for tears: during the absence of her husband, the role of the woman will be the eminently domestic role of ‘angel of the hearth’. Roberta will have to look after the elderly mother of the man, who is bedridden and in need of care.
As per script in the Salierian stories, the disturbing element manifests itself in the landing of the house, and has the features of a young fascist militant (Josc Admiral), handsome and domineering, who lacks respect for the hierarch with his daring behavior. The boy is punctually ‘cazziato’ for not having greeted the superior ‘Roman’, however thanks to his comment in voice over we learn that he does not care about the violent reproach: yes, because as soon as the hierarch leaves for Ethiopia he will take care of the wife of this domineering ‘big shot’, trying to earn her sexual favors.
As the young man in the black shirt explains, it has been some time since he has set his eyes on the woman, provoking her also through the ‘attentions’ directed in plain sight to the aunt of one of his comrades (Vickie Brown). In short, it is a matter of time, and the beautiful Roberta will give up. Will it really go like this? To find out, just enjoy the film,
This new Salieri is added, as we have seen, to the historical setting works so dear to the director, a story re-enacted with the scruple of the enthusiast attentive to the ‘customary’ aspects of the eras from time to time treated. Music, for example: it had been like this in the ‘Neapolitan carousel’, here we are once again catapulted in the middle of the twenty years thanks to the recovery of the song that gives the title to the film and the revival of the popular success ‘Ma le gamba’, dated 1938 and used by Mario as a sound commentary to the moments of… ‘solitary intimacy’ of the young fascist when he consults some audacious period magazines.
These important details help the spectator to enter the context of an event that also foresees the celebration of the Juno Roberta Gemma, as always unmissable in the hard scene dedicated to her. In the writer’s opinion, Roberta is the perfect embodiment of the ‘mogliamante’, to bother the title of a film with Laura Antonelli: a prosperous woman whose physicality, properly exhibited and enhanced by Mario’s filming, embodies a generous and homemade sexuality ‘without losing a sex appeal always and in any case highly sensual. Looking at Roberta Gemma in all her production with Salieri, the words Marcello Mastroianni addressed to ‘Anitona’ Ekberg in Fellini’s’ Dolce Vita ‘come to mind:’ You are the first woman on the first day of Creation. You are the mother, the sister, the lover, the friend, the angel, the devil, the earth, the house … Ah, that’s what you are: the house! ‘
This means that the roles created by the Neapolitan director for Roberta give her an ‘all-knowing’ femininity, both in the part played and in the more specifically sexual part.
In historical films, Mario’s shooting style for hard scenes tends to enrich the frame with furnishing details that make the surrounding environment ‘live’: to frame the sexual performance we have for example the lingering the eye of the director on old bedside tables, chairs or paintings, which, while remaining ‘at the edges’ of the screen, act as ‘subliminal’ elements that need only be absent-minded to receive that additional temporal information.
Having said that, remember that Salieri has always accustomed his audience to a multiple reading of his films, and ‘Faccetta nera’ is no exception: the title is a propaganda hymn that introduces us to the ‘historical plot’ of the story, but with the progress of the events is clear that the motif is also a mockery tool of the young fascist towards the hierarch: as soon as the latter leaves singing to conquer Abyssinia, the boy will proceed to conquer his wife … all thanks to the same song, which sends one to war, the other to have sex. Magic of Maestro Salieri. As always.
Remember that the film has no political label or orientation and uses the title of the song only to highlight the historical period in which the story unfolds.
Sex acts & positions: kissing, handjob, blowjob, kneeling doggy, cowgirl, reverse cowgirl, standing doggy, spoon, cum on ass, cum on legs, pussy fingering, 69, handjob to completion, cum on tits, missionary
Continue To Watch or Download >>
Add to favoritesUnia Films
Director: Pierre Unia as Reine Pirau
Also Known As (AKA):
(original title) Les Voyeuses
France (reissue title) Belles et bien éduquées mais le feu au cul
France (alternative title) Belles à confesse
Italy Incesto sacrale
Turkey (Turkish title) (alternative title) Kutsal Ensest
World-wide (English title) (alternative title) Sacred Incest
Jacky Arnal Jacky Arnal … Jacques (as Jacky Saint-Denis)
Cathy Ménard Cathy Ménard … Hélène / priest’s sister
Élisabeth Buré Élisabeth Buré … Olga / la nonne-nun-leave non-nun
André Kay André Kay … André
Ghislain Garet Ghislain Garet … Le prêtre / The priest
Kitty Hilaire Kitty Hilaire … Ginette / black maid
Christine Borgomano Christine Borgomano … Marie-Jo
Hélène, the chemist of the village, and the priest’s sister. Olga, a nun who lives with the priest. The priest is a funny fellow who seems to enjoy talking about sin and about wine being Christ’s blood. At the hotel, the wine merchant gets acquainted with Ginette, a black maid, and asks her about the nice lady he’s met. His description fitting the maid perfectly, she offers her slender body for his wristwatch. It’s a deal. André’s wife, who is a friend of hers, invites Ginette to her place and in the meantime, takes care of herself.
Sex acts include: blowjobs, pussy licking, lesbian sex, strapon fucking, double penetration, threesomes, female masturbation, vaginal and anal sex in various positions (doggystyle, cowgirl, reverse cowgirl, missionary and sideways).
Continue To Watch or Download >>
Add to favorites