The film starts off with a guy playing guitar in prison and abruptly switches to a scene with Vanessa Del Rio in a car with three guys and a girl. Apparently, Vanessa was picked up hitch-hiking…big mistake on her part. The “gang” takes her back to their hide-out and the three men of the group swiftly take to making Ms. Del Rio “air-tight” in a pretty long and rough rape scene, complete with DP and jizz-bath action. When they’ve all “finished”, the gang begins to plan their next caper – but not before one of the group goes back for a little extra “fun” with Vanessa. Their next heist includes the abduction of a family (husband, wife, and two daughters) who are also brought back to the gang’s lair and abused. The daughters are made to give their dad a blow-job, and then both daughters and the wife are raped. The chick of the gang (I guess feeling a little left out), goes downstairs to have some fun with the still captive Del Rio. After all this “action” – the scene cuts back to the guy playing guitar in prison (who turns out to be one of the kidnappers), and then a short “resolution” scene where you see the kidnapped family back in their van discussing how they escaped…
Definitely threadbare story wise, but the rape and incest overtones are suitably sleazy for this era of XXX “roughie” films. A few of the sex scenes and girls in APPOINTMENT are pretty hot, and Del Rio is lookin’ quite good in this one – I’ll just say that she didn’t age well later on in life. Recommended for those that get a kick out of the rougher/sleazier material – all others should probably steer clear…7.5/10
Vanessa del Rio -= Plays =- Waitress
Red Baron -= Plays =- Steve
Crystal Sync -= Plays =- Jan (as Brenda Kan)
Holly Bush -= Plays =- Jonathan’s Wife (as Barbara Bush)
Clea Carson -= Plays =- Susan (as Justin Fletcher)
David Pierce -= Plays =- Guitar Player (as David Standish)
Roger Caine -= Plays =- Gage (as Aldo Parish)
Susaye London -= Plays =- Cheryl (as Suzanne Ray)
John Bush -= Plays =- Jonathan
Scene 1. Vanessa del Rio, Roger Caine, David Pierce, Red Baron
Scene 2. Vanessa del Rio, Red Baron
Scene 3. Susaye London, John Bush
Scene 4. Crystal Sync, Vanessa del Rio
Scene 5. Clea Carson, John Bush
Scene 6. Clea Carson, Susaye London, Red Baron
Scene 7. Barbara Bush, Roger Caine, David Pierce
Scene 8. Susaye London, Roger Caine
Scene 9. Clea Carson, David Pierce
AKA Mashina liubviAdd to favorites
Cast: Reagan Foxx, Blaten Lee, Tucker Stevens, Andi James, Cory Chase, Paris Knight
Genres: All Sex, Big Dick, Big Tits, Hardcore, Big Ass, Cream Pie, Cumshots, Family Roleplay, Gonzo, Mature, MILF
Mother’s instinctively have the softest “maternal” touch, and they always know just the right thing to say and do to make you feel better. But these blended mothers aren’t about cooking their step-son’s chicken noodle soup and taking their temperature! These mature moms are at their horniest point in life, and the one thing they crave the most is a nice hard young cock to penetrate their warm wet pulsating hole! The problem is…once you feel how warm and inviting their mature vaginas are, you can’t bring yourself to pull out! So you explode every last drop of your aching filled fertile seed deep inside of her. But don’t worry, this is what she wanted… A mother’s job is to make you feel better, and your warm sticky cum leaking back out of her proves a job well done! Now just pray she doesn’t get pregnant.
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Director: Mario Salieri
Cast: Julia Taylor as Julya Taylor, Dora Venter as Melinda Gale, Rita Faltoyano as Rita Faltojano, Veronica Sinclair as Silvia Cristian, Katsuni as Katsumi, Bambola, Ana Nova as Tara Young, Jessica Gayle, Coreena as Corina Cley, Nikki Black as Barbie, Gabi Black as Gaby Wilord, Remigio Zampa, Philippe Dean, Sebastian Barrio, Ramon Nomar as Ramon, Steve Holmes, Horst Baron as Horst Bosch, Francesco Malcom, Silvio Evangelista, Rodolphe Antrim as Rodolph Dessen, Ian Scott, Philippe Durock as Philippe Duroc, Lorenzo Micoli, Manolo as Manuel Ferrara, Alban Ceray, Titus Steel as Titus, Guido Marini, Alina Torre, Benedetta Ausilio, Marina Marchese, Martina de Franceschi, Marzia Esposito
With FAUST Mario Salieri not only plunders Goethe’s classic tale of soul bargaining, he also shamelessly incorporates September 11, World War II and characters from the Bible into his lurid tale of century-spanning fornication. It all starts off with a man named Judas Iscariot who inks a fatal deal with the Devil. The plot then moves through five different epochs [from 33 AD to the year 2019] When the good ole U.S.A. nukes the entire Arab Territory from the face of the earth. How topical can you get.
In this high budget production, in exchange for etarnal life, a man sells his soul to the devil. We follow his afflictions through several different historical eras.The original screenplay is written by psyciologist Daniele Bortoletti inspired by the masterpiece by Goethe. The production is brought to life by an army of talented pornstars and by verbal support of theater actors. In order to create the luxury settings of various historical eras the producer spared no expense, even using an identical train to the legendary Orient Express throughout the shoot. In order to enjoy the movie it is best to forget about the fast foreward function.
The Plot from a review by Disco Dirge
As her mother (Linda Vale) is getting fisted by her depraved lover Robert (Jamie Gillis), slutty little Sandy (Lynda Thatcher) gets off on their sex noises. She grabs a hairbrush and puts the non-business end up her snatch. Satisfied, she heads for the shower. Suddenly, a naked Robert walks in, and attempts to seduce her. When Mommy catches the couple, Sandy becomes persona non grata around her bawdy abode. She decides to run away and join her sister in the Big Apple. She calls her equally skanky pal Bonnie (Kandi Barbour) for some advice, but her friend is too busy trying to pork the tennis pro (Ashley Moore) to care. With mad Mommy in hot pursuit, Sandy hits the road and is picked up a magician (Jake Teague). He takes her back to his hotel room, and hypnotizes her into watching him make it with his paid paramour (Jody Maxwell). The next day, the couple is gone, and Sandy is left to fend for herself.
Eventually arriving in New York, Sandy decides to look up her twin sister. The relative works for Rhonda (Veronica Hart), a flesh peddler with a jaundiced gigolo named Snow (Eric Edwards) doing all her dirty work. Turns out Rhonda hires out Sandy’s sister to a mystery man. When Snow stops by to deliver a new set of sexy photos to Mr. X, the boss’s mistress (Arcadia Lake) puts the moves on him. It’s not long before Sandy is drawn into this weird web of sexual fantasy. Is it real? Is it all in her mind? Did Robert try to fuck her, or is this all some warped way of remembering a father (Roy Stuart) who left home in a hurry under equally strange circumstances? We never do learn the answer as Sandy finally lives out her lustful desires. Apparently, under the naughty Neon Nights of New York, fucking fills all gaps – except for those in the plot.
Dirtymoviedevotee from Brugge, Belgium
Howard Winters a/k/a “Cecil Howard” is one of the most ambitious filmmakers ever in the adult field. While many of his contemporaries contented themselves by grinding out movies that bore a passable resemblance to what was coming out of the mainstream with a little bit of story and acting that didn’t totally suck, Howard went all the way, constructing complex plots, eliciting exquisite acting from porno professionals not necessarily known for their thespian prowess, shooting and editing the whole thing as efficiently as anything a major studio could come up with at that time. NEON NIGHTS marks something of a crossover in his career, wedged between the glossy elegance of FANTASEX and PLATINUM PARADISE and the angst-ridden emotional exploration of SNAKE EYES and STAR ANGEL. Not coincidentally it was his first cooperation with screenwriter Anne Wolff a/k/a “Anne Randall” who would go on to pen most of his later, “deeper” work, further including the FIRESTORM and SINNERS movies as well as the underrated DREAMWALK. To me personally, NEON NIGHTS remains his very best film and, even though I’ve watched it some 6 or 7 times by now in a variety of venues (including several theatrical screenings which add a whole new dimension to adult movies in general and this movie in particular), I’m always glad to see it anew.
Sad-eyed Lysa Thatcher turns in one of her two finest performances (the other being in Gerard Damiano’s breathtaking SATISFIERS OF ALPHA BLUE) as lonely teenager Sandy, living with divorced mom Linda Vale who’s more interested in playing kinky games (including fist insertion, be forewarned) with boyfriend Jamie Gillis than raising an emotionally confused girl on the brink of womanhood. Vale was an always welcome older woman in the Pat Manning vein whose sexual voracity often contrasted amusingly with her uppity exterior. When it came to brow-beating, she had no equal as her scene-stealing roles in PLATINUM PARADISE and Ron Sullivan’s extremely enjoyable A GIRL’S BEST FRIEND attest. Eavesdropping on her mother’s lovemaking, Sandy masturbates herself to sleep. The very next day, Gillis’ Robert interrupts the girl’s morning shower and attempts to seduce her in a wonderfully tense sequence cut short by mom walking on them. Sandy’s understandably distraught and plans to run away to New York to join her twin sister Denise who, we’re filled in, left home after a similar incident with Robert. She looks to girlfriend Bonnie (an adorably one-track minded Kandi Barbour) for help but she’s way too busy coming on to her tennis instructor Ashley Moore. With the help of traveling magician Harlan (Jake Teague, sporting a rather becoming wig for once) and his amorous assistant Sweet Marie (the scorchingly sensuous Jody Maxwell, star of Damiano’s unjustly forgotten PORTRAIT), Sandy does manage to make it to the Big Apple but not before we’re treated to one of the most unusual sex scenes ever that finds the girl enjoying all the sensations of physical lovemaking while keeping her maidenhead intact through telekinesis and levitation courtesy of the randy wizard ! The tone of the film shifts towards slightly disturbing kinkiness once Sandy arrives in New York and meets Denise’s employer Rhonda (Veronica Hart) and her parasitic paramour Snow (Eric Edwards), both of whom are introduced via a clever PSYCHO shower scene take-off that leads into a scalding number with both vying for power – which is volleyed back and forth – during a thunderstorm. Revealing more of the plot at this point would be a shame. Suffice it to say that these two seem to be involved in some pretty nefarious businesses including drugs and white slavery and that they’re primarily working for a shady character only known as “Mr. Prince” who lives in a cabin in the woods with a mysterious artist named Lilah (Edwards’ then girlfriend Arcadia Lake). Inescapably, Sandy is drawn into their bizarre world but is she truly their victim or are they merely aiding her along towards her subconsciously intended goal ? Final scenes, including a lengthy yet totally riveting initiation ceremony, photographed, edited and scored with the utmost precision, reveal the unsettling truth. A key to unlocking this mystery beforehand is supplied by Winters coding the characters as fairytale archetypes with Sandy the innocent, Alice-like heroine with an evil, uncaring mother, Rhonda the wicked witch, Snow the hunter, Lilah the good fairy, Harlan the wizard and I guess Mr. Prince is self-explanatory.
Not enough praise can be heaped upon this extraordinary erotic masterpiece for it has a psychological richness that very few mainstream – let alone adult – films can hope to match. Anne’s writing skills must be the first to consider as far as the succeeding of this aspect is concerned yet even those could’ve been for naught if Howard’s film-making expertise didn’t match them step for step. Complex but never heavy-going, he weaves a web of seemingly separate story lines that ultimately converge in unexpected ways, delivering an emotional sucker punch that should leave most first-time viewers reeling. Part of this disorienting feeling is due to the casting against type of several popular performers. Jamie Gillis, known for his bad boy portrayals (with Shaun Costello’s consequently sickening WATERPOWER and Chuck Vincent’s classy ROOMMATES) as very different highlights), plays nice guy Robert while Veronica Hart and Eric Edwards eschew their sensitive image and totally throw themselves into the characters of evildoers Rhonda and Snow. Most people who have gone on record about experiencing this one of a kind film have expressed tremendous admiration as well as a need for renewing their acquaintance with the material, some of them ascribing their entire love of adult cinema to it.
Anne Wolff (screenplay) (as Anne Randall)
Cecil Howard (conceived by)
84 This version 87
Linda Vale [Fisting]
Veronica Hart [Anal]
Jack Teague (as Jake Teague)
Non Sex Performers
Cecil Howard (as Ward Summers)
Lysa Thatcher -= Plays =- Sandy
Kandi Barbour -= Plays =- Bonnie
Eric Edwards -= Plays =- Snow
Veronica Hart -= Plays =- Rhonda
Arcadia Lake -= Plays =- Lilah
Jody Maxwell -= Plays =- Sweet Marie
Ashley Moore -= Plays =- Lyle
Linda Vale -= Plays =- Mother
Roy Stuart -= Plays =- Father
Cecil Howard (as Ward Summers)
Jake Teague -= Plays =- Harlan
Jamie Gillis -= Plays =- Robert
Scene 1. Linda Vale, Jamie Gillis
Scene 2. Lysa Thatcher
Scene 3. Lysa Thatcher, Jamie Gillis
Scene 4. Linda Vale, Ashley Moore
Scene 5. Jody Maxwell, Lysa Thatcher, Jack Teague
Scene 6. Veronica Hart, Eric Edwards
Scene 7. Arcadia Lake, Eric Edwards
Scene 8. Lysa Thatcher, Veronica Hart
Scene 9. Linda Vale, Jamie Gillis
Scene 10. Lysa Thatcher, Eric Edwards
Scene 11. Lysa Thatcher, Roy Stuart
Dolly Leigh Chloe Marie Lyra Lockhart Taylor Pierce
Attitude Adjustments Have Never Felt This Good!
Dolly Leigh didn’t listen to daddy, so he stretched out her pussy to teach her a lesson. Chloe Marie won’t act up again after a brutally hard and deep fucking! Lyra Lockhart learned her lesson the HARD way when her step-daddy beat up her pussy with extreme prejudice! Taylor Pierce won’t talk back again after getting her mouth washed out with cock!
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Released in 2018 another work of art by the great Mario Salieri, we love his films simply because they are unique, he is the best director of world porn without any doubt, he is preoccupied with making a special and morbid porn, not the typical movies that only fuck and fuck, always with argument and perversion.
Devon Green, Jillian Janson, April Aniston and Gia Derza are irresistibly hot, horny little sisters hungry for cock… and their brothers are about to man up and give it to them! Tight bodies, raging hormones and no relations?! It’s only a matter of time before you’re having sex with your younger sister!
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The lights flicker,the room gets foggy and a sexy woman appears before Jay and Jack who introduces herself as Sno White. She says she from the future and needs to collect DNA in her pussy to save the human race. This has to be the most important creampie ever!
Under-secretary Moore has a meeting with an advocate for the muslim people to discuss the new president’s policy. M. Hadid is willing to do anything to prove her people’s equality. This political parody was written by a afan and is not meant to insult o defame anyone’s beliefs political or religious.
Supergurl was trying to track down other missing heroines when she inadvertently slipped on a ring that caused her to collapse. When she regains her senses she is in a cage being sexually aroused. The urges overpower her sense of goodness making her a mindless sex slave. Her captor takes her from the cage to the lab where he proceeds to make her another sexual trophy in his case.
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